Your film Raymond Did It - in a few words, what is it about?
Did It is basically about a guy who is wrongfully blamed for his
brotherís death, and returns years later to get revenge.
Essentially, Raymond Did It
is a slasher movie. A genre at all dear to you, and
your genre favourites?
I love slasher films. When I was a kid I lived in a little town in
Wisconsin with virtually no recreational activities apart from the mom and
pop video store, which happened to have an amazing cult films section. My
older brother and I rented everything we could get our hands on. From
Halloween to April Foolís Day to Sleepaway
Camp to Friday the
be very hard pressed to pick a favorite, and I could really sit here all
day listing examples of good ones. However I will say that
certainly a heavy influence on Raymond
Did It, as was Prom
Night. As far
as modern slasher films, I think Adam Greenís Hatchet-series is about
the best thing out there currently.
(Other) inspirations when writing Raymond Did It?
enough, one of my bigger influences was Marvelís
Ultimate Comics-line. I
was very inspired by the way they took these familiar characters and
stories and presented them in a unique and different way. When I was
Did It, I really wanted to take ideas presented in early
slasher films and take that sort of approach. Things like the killerís
relationship to their mother, the killer adopting a mask, that sort of
Did It is an origin story in many respects. Raymond Rourke
doesnít really become a slasher until the last act of the film.
Everything leading up to that, including even the initial kills, are
components to his origin.
Raymond Did It
exactly hold back when it comes to violence and gore. Could you talk about
the gore scenes in your film for a bit, and was there actually a line you
refused to cross?
Iím a huge fan of gore and violence. Particularly over-the-top gore
and violence. I think you can hit a wide variety of emotional beats with
the presentation of those elements, and that was our aim with Raymond
Did It. Some of the kills have a dark sense of humor about them. Others are
simple and brutal. Iím certainly not shy about using the more violent
elements of storytelling as a language.
Having said that, there really werenít any lines we wouldnít cross,
not necessarily because we were setting out to shock people or make them
say, ďwow, thatís SO fucked up!Ē More because I just donít tend to
think in those terms about storytelling. Iím aware there are people who
wonít appreciate certain elements of that kind of work. I would
encourage them not to watch it.
A few words about your cast and crew?
Did It was my first feature film, and I was very blessed to be dating out
of my league in many respects. Our crew was phenomenal. Most of the grips,
boom operators and production assistants were students at the Rock Valley
College Mass Communication Department, and I would encourage any indie
filmmaker to hire from that place. Itís truly a remarkable program and
every year they crank out talented, dedicated, skilled graduates. Iím
blessed to have it right in my backyard.
Robert Williams, our editor was an alumnus of that program. The guy is
incredibly talented and insightful. Tim Stotz, our Director of Photography
and After Effects guru, has been working in Rockford area media for
several years and really captured the late 70ís/early 80ís look I
wanted for the film.
As far as cast is concerned, I was frankly stunned at the talent we were
able to get on board. Lindsay Felton has been acting practically her whole
life. Just getting to work with her and see her experience brought to the
table made me a better director. Elissa Dowling [Elissa
Dowling interview - click here] has been around the indie
horror scene for a few years now, and I think it shows in her work.
Jessica Palette was so fun and gutsy and committed, in a pretty
emotionally taxing role, and she never complained. She spends half the
movie crying or screaming and she brought her A game every second she was
on set. Ty and Steven were utterly professional, but totally able to keep
the set fun and light-hearted, which I think is important when you are
shooting darker material. Iíve often said, if you want to have a really
good time and crack lots of jokes, work on a horror film.
of course thereís Kyle Hoskins [Kyle
Hoskins interview - click here]. This guy just dove into his role as
Raymond. He did a ton of research on the developmentally delayed, he
worked his butt off, and we put him in some difficult situations both
emotionally and physically. He took it all like a champ.
Cieslik, who plays Mrs. Rourke was golden. There is a definite shift in
her character throughout the story and a lesser actress could have fumbled
that and made it very flat. She took it beyond the script, beyond my idea
of what I wanted. She was amazing.
So, yeah, I was pretty lucky.
far as I know, Raymond Did It
was your feature film debut, but you
have made tons of shorts before it. What made you decide to take the jump
and make a feature, and how did directing Raymond Did It
from directing shorts?
made tons of shorts before Raymond
Did It. I still make tons of shorts. I
try to make at least one short film a month, to keep me on my toes, try
new things and to just have fun. Iím fortunate enough to live in a
community where my friends and I can be sitting around and someone will
say ďDude, we all have today off. Letís go shoot a short.Ē That
happens a little less frequently now because everyone is a little more
busy these days, but we still have occasion to make a spontaneous short
from time to time.
decided to make the jump to feature film because I had just been evicted
from my apartment, laid off from my job and left by my girlfriend. I
figured I could either cry into my beer about my life turning into a
country song, or I could make a massive change. I elected to make a
massive change. I think the challenge and the focus of trying to put
together a feature helped pull me out of a very bad place in my life. The
decision may not have been the most rational at the time, but it all seems
to have worked out okay.
a directing perspective, it wasnít really all that different from making
shorts, with the exception of things being on a bigger scale, and needing
to take more time on each shot. You have the luxury of rushing a bit on
shorts sometimes. Less is at stake. With a feature, you have to buckle
down and be a bit more careful. The other side of that coin is that with
being a low-budget feature, we didnít have oodles of time, so there was
a balance that had to be struck. We had to learn to punch our weight in
terms of what kind of shots we planned, because we knew time was going to
be a factor.
Legend of the Masque
Presently you are working on the
post production of your superhero webseries Legacy of the Masque,
right? In a nutshell, what's that one about?
of the Masque is about a wealthy young woman who discovers that her
grandmother was a superhero in the 1940ís. This acts as something of a
wake-up call to her and leads her to take up her grandmotherís mantle as
superhero series, and how would you describe your approach to the genre?
love superheroes. Comic books, particularly superhero comics, are my first
love. Iím always looking to expand into comics, and have even
self-published a few titles.
far as my approach to the genre, I am a child of the post-deconstruction
era of comics. I read Watchmen and Dark Knight Returns when I was like
eight years old. In my mind superheroes are the myths and legends of
America. In a way they are kind of the American pantheon, but I also feel
that the things that make gods and myths interesting and compelling are
their very human flaws. So, I try to approach it with an eye on the epic
tale, but without losing sight of those very human qualities that make the
characters interesting. Superman is nowhere near as interesting as
for example, because Superman
is invulnerable and inhuman. Batman
really a scared little boy weeping and kneeling in the blood of his
parents. Heís human. Heís flawed. Heís interesting.
superhero films are rather special effects heavy. How much of a challenge
is it to make such a film on a comparatively low budget?
Legend of the Masque
a massive challenge. Iím doing the majority of the effects work myself,
and Iím a pretty busy guy, so the process is very time consuming. But
hopefully the end result will prove to be worth the wait.
will say that having good planning and getting good reference material in
the field is essential, and without my talented cast and crew, that
wouldnít have happened.
few words about your main cast?
Legend of the Masque
have such a massive cast attached to Legacy of the Masque, it would be
folly to try to sum up their awesome in a few words.
lead is Sierra Holmes, who brings Diana Bowman/ The Masque to life. The
character goes through a complex arc throughout the web series and it was
so amazing to watch Sierra do the emotional (and on occasion, physical)
acrobatics that the role demanded.
got Tim Stotz out in front of the camera to play Andy Bryant/Captain
Future, an old superhero from the 1940ís who acts as a mentor/father
figure for the Masque.
list of guest stars for season one is incredible and packed to the brim
with talent. Among them (because I know Iíll wind up forgetting someone)
are Holland Zander, Lewis L. Harris III, Alex Rodriguez, Elise Schultz,
Kitsie Duncan, Deann Baker, Tyler Klunick, Ty Yaeger, Janet Striedl,
Jolene M. Aldus, Aley Kreinz, Stephen Santiago, Joe DíAngelo, Jeff
Scaduto, Matthew Roeling, Jade Ford, and just so many other talented
actors. Our cup certainly runneth over.
The $64-question of
course: When and where will Legacy of the Masque be released?
2012. I have a few potential distribution partners lined up, but Itís a
little too early to announce anything yet. However, we will be posting
news and updates regularly on www.aegisstudios.com
and on the facebook page at http://www.facebook.com/whoisthemasque
you like to talk about your upcoming short Asunder for a bit?
was the result of a nightmare. Itís pretty much the story of a man who
looks outside his marriage for a good time and finds something utterly
many ways Asunder is about exploring the ideas of infidelity, pain and
regret in a visual, visceral way. I was heavily inspired by the Hellraiser-films and the work that Phil Brucato did on the role-playing game
The Ascension, particularly the evil cult called the Nephandi, which are
sort of semi-Lovecraftian worshippers of chaos and entropy.
L. Harris III and Aley Kreinz play the main roles in Asunder, and they are
AMAZING. The story doesnít have a whole lot of dialogue, so their
performances really live in body language and facial expressions. They
both did such a great job with such challenging material. I canít wait
to show everyone.
will be released on DVD, along with a few of my other short films, on May
7th. It will be available at http://www.aegisstudios.com/store.
are also in pre-production of, of all things, a romantic comedy called Dry
Spell, right? In a few words, what is that one about?
Spell is about a woman who is going through a divorce and preparing to
enter the dating world. One night she discovers that her ability to become
aroused has left her. In short, sheís dried up. Believing that this is
caused by guilt about moving on before her ex-husband has, she embarks on
a quest to get him laid.
put it bluntly, why a romantic comedy?
are so many reasons. I love almost every genre of storytelling and I want
to play around in as many as I can. I worked on the script for Dry Spell
with Kyle Hoskins [Kyle Hoskins
interview - click here], and I know there was a lot of personal stuff from his
divorce that came into play in the screenwriting process. Artistically its
partially about healing, and as they say, laughter is the best medicine.
first short films were romantic comedies as well, so in a weird way itís
a return to form for me more than a departure.
of course, the primary reason: Because it's about sex and relationships, and
sex and relationships are funny. Hysterical when you think about it.
People do really stupid, hilarious things when mating, love and sex are
involved. I wanna point at that and laugh a bit.
Suzi Lorraine (photography by Louis
The little that I
could find out about Dry Spell beforehands was that it is going to
star popular scream queen Suzi Lorraine [Suzi
Lorraine interview - click here]. Why her, how did you get her,
and what can you tell us about the rest of your cast?
met Suzi online via Facebook and we talked off and on. She seemed to dig Raymond
Did It quite a bit, so I invited her out to the New York
screening. We had the opportunity to hang out at the after party and I
immediately recognized what a vibrant, fun, funny, lighthearted person she
is. Suzi is perfect for a female lead in a romantic comedy. Sheís got
one of the most expressive faces Iíve ever seen and sheís not afraid
to look silly to get a laugh. Those skills are gonna come in quite handy
on Dry Spell. Also, did I mention sheís incredibly beautiful?
As far as how we got her, I asked with my hat in hand, fully expecting her
to say no. I was pleasantly surprised that she didnít. I still have to
pinch myself when I think about it.
far as the rest of the cast, we should be making more announcements fairly
future projects not yet touched upon you would like to talk about?
always have a ton of things cooking at Plastic Age Productions. Aside from
the Asunder DVD coming on May 7th, we have a feature film, Poetic, making
its world premiere in Rockford, Illinois on June 30th, 2012.
Poetic is an intense, sexy, character driven psychological horror film, that
centers on a world full of deceit, passion, and revenge. One couple finds
themselves caught in the middle of this when they are kidnapped by
ďCowboyĒ, a mysterious and merciless renegade killer who takes karma
in to his own hands. Now prisoners in their own home, the couple is turned
against one another and forced to relive their dirty little secrets. Their
domestic quarrel turns into a nightmare they might never awaken from.
Poetic was written and directed by Matthew Cichella [Matthew
Cichella interview - click here], I acted as an executive
producer and editor, and it stars Raymond
Did Itís Ty Yaeger.
your readers in the Midwest, tickets to the Poetic
world premiere are
else that is currently in the works is at too early a stage for me to go
shooting my mouth off about (Iíve learned that lesson the hard way in
the past), but suffice it to say, we will be making several large
announcements this year.
What got you into filmmaking in the first place, and did you receive
any formal education on the subject?
was studying journalism at Rock Valley College and I did a piece on the
Mass Communication department, which is one of the finest tech programs
for digital media production in the state. As soon as I saw that I could
have access to everything I would need to make a movie, I switched my
focus and underwent the program. Been making movies ever since.
As mentioned above,
you have made a ton of shorts before Raymond Did It
- want to talk
about any of those?
particularly fond of our annual zombie films. Every year we get together
and shoot a zombie film with no money, just for kicks. Sometimes they are
very serious, sometimes they are very silly, but the whole idea is to have
fun with our friends for one day, getting bloody.
always loved zombie films. George Romero is one of my heroes. I tend to be
very much a traditionalist when it comes to zombies, so mine are always
the shambling, bite you and your turn, shoot em in the head kind of
However, the collaborative, ďjust for kicksĒ-nature of the annual
zombie film has led to some pretty cool collaborations and a few new
ideas. Tim Stotz wrote this past yearís film City Without Walls in
which the zombies talk about philosophy and examine their new existence.
Itís funny in a highbrow, English major sort of way. I love the idea of
mixing things up and playing. Iím sure as the tradition continues we
will keep doing new and crazy things. Maybe next year will be a musicalÖ
did a trio of romantic comedies that Iíve come to call the Couch
Trilogy as they all focus very heavily on dialogue taking place on a
couch. They are clearly student films, but I have a special fondness for
them in my heart. Making those silly little movies took my love of film
and turned it into a love of filmmaking.
More recently I was very lucky to be able to adapt the short story Taxidermy
- written by my lovely wife, Sarah Scharnweber, into a short film. When I
read it, it reminded me very much of an episode of Tales from the
so when she gave me permission to adapt it, I was jazzed. Taxidermy will
be on the Asunder DVD and stars Matthew Roeling, Tina Renee Grace, Jolene
M. Aldus and J.R. Riley.
A few words about your company Plastic
Age Productions is a film production company I started, which focuses
mainly on feature film production, but also acts as a work for hire
service to other filmmakers. We make our own movies, but we subsidize that
by helping other people make their movies at affordable rates. We offer
postproduction services, script doctoring, personnel services, and pretty
much act as hired guns to help out other indie filmmakers.
Directors who inspire you?
Carpenter for sure. Everything that man has done is brilliant - yes, even
Ghosts of Mars. George Romero, Adam Green, Luc Besson (find me someone who
makes better films from a visual standpoint. I dare you!), Gregg Araki,
Kevin SmithÖThere are just so many.
Bites Dog, Angel-A, Subway, Hatchet I &
II, Halloween, Bubba
Ho-Tep, Clerks, Red State, They
Live, Big Trouble in Little China, Serenity, all
the Marvel-superhero films that are actually made by
Marvel, What Dreams
May Come, Gator Bait, I Spit on Your
Grave, Superman I & II, Nerdcore Rising, American History
X, The Tigger Movie (I cried like a little girl
at that one), all the Muppet-movies, The Dark Crystal,
I could do this all day. Letís just say I have eclectic tastes.
... and of course, films you really
Feeling lucky ?
any of my partnershops yourself
for more, better results ?
The links below
will take you
Anything David Lynch made after 1989. Every Batman-movie made to date. I truly hope one day someone makes a good
So far, they are varying levels of insulting jokes.
Your/your movies' websites, Facebooks, whatever
Anything else you are dying to mention and I have
merely forgotten to ask?
am a huge fan of tabletop roleplaying games. We currently publish a
horror/urban fantasy role-playing game called Contagion, which centers on
a secret war between the forces of Heaven and Hell, taking place in the
modern world. I encourage everyone to check it out at http://rpg.drivethrustuff.com/index.php?manufacturers_id=338
that note, I would also like to announce that we are developing a Legacy
of the Masque roleplaying game, in which players can take on the role of a
superhero or supervillain. More news about that game will be released in
the coming weeks at http://www.aegisstudios.com.
Thanks for the interview!