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Bob Trevino Likes It
USA 2024
produced by Felipe Dieppa, Tracie Laymon, Sean Mullin for Laymon's Terms, Five By Eight Productions
directed by Tracie Laymon
starring Barbie Ferreira, John Leguizamo, French Stewart, Lauren 'Lolo' Spencer, Rachel Bay Jones, Ted Welch, Tony Milder, Allora Nutter, Abigail Esmena, Takayla Williams, Ashlyn Moore, Phil Elam, Debra Stipe, Tristan Thompson, Kristy Calman, Terrance Tocantins
written by Tracie Laymon, music by Jacques Brautbar
review by Mike Haberfelner
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She might be a bit of a klutz, but with her good natured, bubbly
persona, Lily (Barbie Ferreira) is also easy to like - and easy to be
taken advantage of, so people seem to walk over her all of the time ...
especially her dad Robert (French Stewart). But then dad takes it one step
too far when he first presents her as an asset to his date (Debra Stipe),
and when Lily then bungles it up through no fault of her own, he cuts her
out of his life. This of course hits Lily hard, and it even makes her
counselor (Ashlyn Moore) cry. In her despair, Lily turns to the internet
to at least be close to her father via social media - but she doesn't find
him but another man sharing dad's name, Bob (John Leguizamo), who's also
roughly his age. She friends him on Facebook, and when he puts a like on
some of her posts, she decides to contact him, and eventually, the two
meet - and against all odds, this turns out to be less than awkward as the
two of them form a genuine bond as for Bob, Lily's the daughter he has
never had, and for her he's the dad her real dad has never been. So in a
way, things have really turned out alright - until Robert wants to get
back into Lily's life again, really to exploit her good will some more,
while Bob suffers a heart attack unbeknown to Lily ...
Bob Trevino Likes It is a rather powerful drama because
it feels 100% heart-felt and really underplays its dramatic moments (which
doesn't mean the ending isn't an absolute tearjerker), going for a very
subtle tone. But more than anything else, Bob Trevino Likes It is
Barbie Ferreira's movie, who gives a nuanced and relatable performance and
thus lends personality to an already well fleshed out character and this
way anchors the movie. And thanks also to a solid ensemble supporting her
and a suitably subtle directorial effort, this has turned out to be a
really worthwhile movie.
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review © by Mike Haberfelner
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