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The Wild World of Batwoman
She Was a Hippy Vampire / The Wild Wild World of Batwoman

USA 1966
produced by
Jerry Warren for ADP Productions, Medallion TV Enterprises
directed by Jerry Warren
starring Katherine Victor, George Andre (= George Mitchell), Steve Brodie, Richard Banks, Steve Conte, Mel Oshins, Bruno VeSota, Bob Arbogast, Lucki Winn, Suzanne Lodge, Pam Garry, Sylvia Holiday, Francis Bryan, Leah London, Lloyd Nelson
written by Jerry Warren

review by
Mike Haberfelner

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Scientist J.B. (Richard Banks) has invented a device called hearing aide that enables whoever uses it to listen in on whatever telephone conversation he wants - but the US patent office refuses to certify it and orders all blueprints to be destroyed - much to the dismay of J.B. Masked villain Rat Fink has learned about the hearing aide though and wants to steal it, so J.B. hires superheroine Batwoman (Katherine Victor) and her army of Batgirls to guard the thing until destruction - but Rat Fink's men just drug Batwoman and all of her girls with a happiness drug developed by Rat Fink's scientist in residence Neon (George Andre), and then not only steals the device but also kidnaps all of the Batgirls - but that was of course what Batwoman was hoping for, because each of her Batgirls was wearing a tracer through which they can easily  be tracked down to Rat Fink's underground caves. The girls are easily freed, but when Batwoman wants to unmask Rat Fink, he shows that he still has a trick up his sleeve, a multiplyer that produces enough doubles of himself to withstand the onslaught of the Batgirls. Eventually, the multiplyer is destroyed though and all the doubles are gone, and after this, Rat Fink is defeated, and once unmasked, he proves to be J.B. himself, who has stolen his own invention just so it will not be destroyed. But once that is revealed, it turns out that professor Neon's hunchbacked assistant (Lloyd Nelson) has poured acid on the device, which turns it into an all powerful bomb - and after the bomb goes up, everybody finds himself on the beach for some reason ...


One of these ridiculously bad movies that just makes one happy that bad movies are around in the first place, because this one has got it all, overused pulp clichés aplenty including the masked villain, a superheroine costume that looks like straight out of burlesque (and probably was), lab sets that are as unconvincing as they are cheap, a few snippets from another film (1956's The Mole People by Virgil W.Vogel) that make no sense in the context of this one, and a bunch of girls who seem to have no other function than to look good in brief outfits. Who cares then that the plot of the film is silly and badly conceived, hardly anybody in the cast can act, and the whole thing is childish as hell - it's just one of this great bad films that has you watch in disbelief but also has a hypnotic power to it that makes you keep watching no matter what.


review © by Mike Haberfelner


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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from




On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide


A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
Ryan Hunter and
Rudy Barrow

out now on DVD