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Das Schwarze Schaf

The Black Sheep

West Germany 1960
produced by
Utz Utermann, Claus Hardt (executive) for Bavaria Filmkunst
directed by Helmut Ashley
starring Heinz Rühmann, Karl Schönböck, Maria Sebaldt, Siegfried Lowitz, Lina Carstens, Fritz Rasp, Herbert Tiede, Friedrich Domin, Hans Leibelt, Rosel Schäfer, Gernot Duda, Herta Fahrenkrog, Wolf Peterson, Johannes Buzalski, Kathatina Herberg, Hans Dieter Jendreyko, T.P.McKenna
screenplay by István Békeffy, Hans Jacoby, based on stories by G.K.Chesterton, music by Martin Böttcher

Father Brown, Father Brown (Heinz Rühmann)

review by
Mike Haberfelner

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Father Brown (Heinz Rühmann) has just been moved to another parish for meddling in a murder mystery (and finding the murderer single-handedly) when he stumbles over another corpse, that of an influencial banker (Hans Leibelt), and almost against his own will, Brown starts investigating again, and finds out the dead man had vital information about seemingly worthless stocks the killer wanted to cheat Lord Kingsley (Fritz Rasp) out of ... and he succeeded too. Thing is, whoever cheated Kingsley out of his stock seems to have disappeared from the face of the earth - until Father Brown figures it must have been Scarletti (Karl Schönböck), dead director and leading man of a travelling theatre group that has just hit town. Problem is, Scarletti has an alibi for both the murder and the stealing of the stocks, and the alibi is Father Brown himself. Then though Scarletti turns up dead, shot on stage, and the key suspects of the murder are Flambeau (Siegfried Lowitz), a reformed criminal Brown himself asked to search Scarletti's dressing room, and Kingsley, who has long figured out Scarletti has tricked him and has come to the theatre with the intent to killhim - but has only shot his own mirror image, it turns out. After a bit of to and fro it turns out that Scarletti wasn't shot at all but his twin brother whom Scarletti used as a perfect alibi in all his crooked deals. But when the twin got too greedy, Scarletti decided it was time to shoot him too. Of course, it is Brown who's the first one to figure that out, and it's Brown who has a showdown with Scarletti (where he's saed by the police only in the very last second) - and as a thank you for his meddling, he is moved to yet another parish ...

 

Rather weak krimi (= German crime movie) that takes an awful long time (about a third of its running time) to even start its main narrative, and when it does, it's ridiculously far-fetched and riddled with leaps of reason. Plus, the movie as a whole is way too nice to ever create anything remotely resembling suspense, while Heinz Rühmann's performance as the crime-solving priest lacks any eccentrricity the role calls for. All this makes up not exactly for a bad film, rather a boring one.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

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Tales to Chill
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the new anthology by
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