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Maid in Sweden

USA/Sweden 1971
produced by
Ami Artzi, Christopher C.Dewey (executive), Dennis Friedland (executive) for Cannon, Jena Films
directed by Dan Wolman (as Floch Johnson)
starring Christina Lindberg, Monica Ekman, Krister Ekman, Leif Naeslund, Per-Axel Arosenius, Ittla Frodi, Tina Hedström, Henrik Meyer, Wivian Öiangen, Jim Engelau
written by George T.Norris, Ronnie Friedland

review by
Mike Haberfelner

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Inga (Christina Lindberg) is a goody-two-shoes kind of girl, she's 16, lives in the country, hasn't seen much of the world, and stays out of trouble. She has also a warped perception of sex, which she way too readily likens to rape, based on some real or imagined experienced.

One day, Inga decides to at least temporarily shake the shackles of her everyday life and pay a visit to her sister Greta (Monica Ekman) - who she finds out only when she arrives at Greta's place lives together with her boyfriend Carsten (Krister Ekman), something Inga doesn't really approve of , but when she hears them having sex at night, she cannot help but masturbate.

Carsten is rather amused by Inga's innocence, which he considers nothing but a facade - so he hooks her up with his friend Björn (Leif Naeslund), and before you know it, Björn and Inga land in bed together, and from now on, Inga finds excuses to see him (and have sex with him) again and again and again, and she even starts lying to her sister.

It's the last day of Inga's stay with her sister, and that day, Carsten barges into the bathroom whiloe she's having a bath - and before you know it, they have sex - and then they are caught by Greta ...


The very first movie Swedish sex star Christina Lindberg has ever acted in (though not the first released) is actually pretty much a disappointment - not that there isn'e enough nudity and sex in this film, but the story to carry all of this is just ridiculously bad: There is simply enough no basic conflict for the film to revolve around, so it becomes just a loose series of episodes, that in themselves lack highlights, and there is no narrative buildup in either the movie as a whole or the episodes. On top of that, the directorial effort is terribly flat and at best described purely functional, and the whole cast is terribly wooden, though not so much due to their actual acting abilities but due to the fact that the whole film was shot in English, a language none of the actors seems to feel too sonfident with.

What remains of course is Christina Lindberg getting naked a lot, which is of course a sight for sore eyes, but not enough to justify a feature film.


review © by Mike Haberfelner


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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from




On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide


A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
Ryan Hunter and
Rudy Barrow

out now on DVD