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La Furia del Hombre Lobo

Fury of the Wolfman
The Wolfman Never Sleeps

Spain 1972
produced by
Maximiliano Pérez Flórez for Maxper Producciones Cinematográficas
directed by José María Zabalza
starring Paul Naschy, Perla Cristal, Verónica Luján, Mark Stevens, Diana (= Pilar Zorrilla), Francisco Amorós, Fabián Conde, Miguel de la Riva (as Michael Rivers, Javier de Rivera, José Marco, Victoria Hernández, Ramón Lillo, Sofia Casares
written by Jacinto Molina (= Paul Naschy), music by Ana Satrova

El Hombre Lobo

review by
Mike Haberfelner

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On an expecition to Tibet, Doctor Waldemar Daninsky (Paul Naschy) has been bitten by a Yeti, and since then he carries the sign of the Pentagram on his body, which according to horror logic makes him a werewolf. However, he can supress the urges to turn into a wolf ... until his wife (Diana = Pilar Zorrilla) and her lover try to murder him by severing his car's brakes. He survives the crash that should have legally killed him, turns into a werewolf, returns home to kill his wife and her lover, and is then accidently electrocuted himself.

And that's that ?

Not by a long shot, because Waldemar's best friend, a certain Doctor Ilona Ellman (Perla Cristal) - the only person Waldemar ever confided to concerning his little werewolf problem - decides to dig up Waldemar's corpse, somehow bring him back to life, and make him into a superior being that she somehow mindcontrols. Of course, the experiment eventually gets out of hand because in his wolf-form, Waldemar resists (almost) all control and turns into a vicious killing creature, while in his human form he tries to escape Ilona with the help of her assistant Karen (Verónica Luján) who refuses to any longer be a part of the Doctor's mad experiments. To keep Waldemar in line, the Doctor even resurrects his wife, who has meanwhile turned into a werewolf as well.

It all ends with the Doctor and Waldemar being at each others throats and kill each other, before the police and Doctor Ilona's dad Doctor Wolfstein (Javier de Rivera) make it to Doc Ilona's place to save poor Karen who has since been chained to a wall (don't films like this always need a girl chained to a wall ?).


Of course, this film is silly as can be, filled with outrageous elements like mutants, science gone wild, brutal slayings and the obligatory girls chained to walls, and of course this is not what you would call a good film as such. However, if you are into trashy Euro horror from the 1970's as much as I am you will still like this one despite of or even because of its shortcomings like its inconsequent screenplay, its very spartan direction and its not too convincing special effects. It's just good, completely mindless fun, and that's all that matters.


review İ by Mike Haberfelner


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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from




On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide


A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
Ryan Hunter and
Rudy Barrow

out now on DVD