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#ChadGetsTheAxe
USA 2022
produced by Travis Bible, Eric Gibson, Kemerton Hargrove, Frances O'Hanlon for Dream Big Group, A7, Gorilla Tree Film Co, Soup Soup Productions
directed by Travis Bible
starring Michael Bonini, Spencer Harrison Levin, Taneisha Figueroa, Cameron Vitosh, Terry J. Nelson, Brandon Doyle, Ru Benjamin Revolver, Ryan Anthony Williams, Cairo Spencer, Jovon Times, Shun Hagins, Juliet Fessel, Eric Gibson, Lilly Gibson, Kemerton Hargrove, Amajae Hardy-Jones, Holly Kagis, Jerilyn Armstrong
story by Travis Bible, screenplay by Travis Bible, Kemerton Hargrove, music by Spencer Harrison Levin
review by Mike Haberfelner
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After he got seriously pranked by fellow vlogger Chad (Spencer Harrison
Levin) on his last pseudo ghosthunt livestream, Spicy Steve (Michael
Bonini) decides to invite Chad, along with vloggers Jennifer (Taneisha
Figueroa) and Spencer (Cameron Vitosh) to his next expedition to a manor
in the swamps that has supposedly once hosted a Satanic cult that was big
on human sacrifice. Of course it's all supposed to be just fun and games
to attract maximum viewership, but when the foursome finds a body hanging
from a beam in the attic, Jennifer and Spencer are quick to quit the show
and make their way home, but Chad and Steve decide to exploit the corpse a
little to up their numbers, which includes poking the body and put a hat
on its head. Until Steve discovers that most of the audience is actually
disgusted so he decides to bail, but when he wants to retrieve his hat
from the body, the body is gone, and soon enough he's knocked out. By that
point he and Chad have already long separated, with Chad having started
his own stream - and when Jennifer sees how his numbers go through the
roof, she wants back in. Just what none of them knows yet, Burrows (Terry
J. Nelson), erstwhile leader of the Satanic cult, is apparently still
around, and still is very much into killing people ... Now I've
said it before and I will say it again, I'm not exactly the greatest fan
of the found footage approach as it's in many ways merely a (by now
over-frequented) shortcut to actual filmmaking at the cost of any kind of
cinematic language. Now what makes #ChadGetsTheAxe stick out of the
crowd though is that it knows about its limitations, and pokes fun at its
overly shaky camerawork while as a whole feeling pretty much like a satire
on the vlogosphere dressed up like a horror movie - and the combination
actually works because while the film's horror story floats smoothly, its
shortcomings in camerawork and editing really work as part of the joke -
and the joke's as hilarious as the satire is biting, making this one very
fine ride.
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review © by Mike Haberfelner
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Robots and rats,
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