
Hot Picks 
|
|
|
Livestream
USA 2025
produced by Bia Gallo, Melina Alves (executive) for Acting Famous Productions, JustThink Entertainment
directed by Victor Soares
starring Sarah Moliski, Savannah Schakett, Victor Soares, Mao Sun, Tiffany Dennis, James Michael Cowan, Nika Khitrova, Anthony Moore, Nicholas Edmunds, Giulia Nassa, Bruno Magri, Letícia Espir
written by Victor Soares, music by Tiffany Dennis, Gabriel Lobo
review by Mike Haberfelner
|
 |
Influencer Mia (Sarah Moliski) has been invited to spend a weekend at a
holiday cabin in the woods with her friends - boyfriend Joss (Mao Sun),
comedian Pedro (Victor Soares), singer Cindy (Tiffany Dennis) and
prankster Thomas (James Michael Cowan) - in exchange for some publicity.
Now this is something that Mia gladly accepts, as it's not only a nice,
free vacation, it also should make up some good content for a livestream.
And at first everything goes very much as expected, like Liza (Savannah
Schakett), daugher of their hosts (Nika Khitrova, Anthony Moore) turning
out to be Mia's biggest fan, Cindy performing a song that wins everyone
over, Thomas pulling a really stupid prank, and Pedro and Cindy developing
feelings for one another thanks to Mia's meddling. So there's really for
the ever increasing live audience to love - and then Thomas turns up dead,
obviously murdered, and since Joss is the only one not accounted for at
the time of the murder, he's a logical (though not conclusive) suspect,
something even his girlfriend Mia agrees to - upon which Joss has a bit of
a meltdown that borders the dangerous, and Mia and company all bolt. But
eventually, Mia and little Liza are cornered by Joss, and who knows what
would have happened if it wasn't for Liza's mother knocking him out in the
nick of time. So the situation seems to be saved, safe for ... what if
Joss wasn't the killer of the piece?
Now I'm usually not the biggest fan of found footage horror
(and have said so many a time), but this one really drew me in - basically
because it manages to break the mold: Now sure, the film is made up of one
single uninterrupted take (and I can't tell whether or not some trickery
was involved), but it's based on a well-structured script, it's not
improvised but follows well laid-out dialogue, and the camerawork is
actually anything but random and captures some well-composed shots with
proper depth of space within its single take structure. Plus the script
manages to sneak in a kill that comes across as an utter shock and
surprise for sure while also including some satirical undercurrents, based
on the absolute disconnect between Mia and company and her viewers during
the titular livestream - while most of the viewers actually consider the
stream as a mere show, there are some comments that could actually have
saved our heroes had they ever stopped to pay some attention to their
audience and read them. And the fact that the actors all manage to fill
out their well fleshed out characters of course only helps making this a
very entertaining genre piece.
|
|

|