Hot Picks

- First Impressions Can Kill 2017

- Talk of the Dead 2016

- Blue Movie 1971

- My Name is Julia Ross 1945

- Anthem of a Teenage Prophet 2018

- Blood Bound 2019

- Portal Man 2018

- The Fifth Cord 1971

- The Theatre of Terror 2019

- Waterworld 1995

- The 6th Friend 2016

- Terror Tales 2016

- Crossbreed 2018

- The Devil's Camera 2018

- Radio Candy 2018

- Willie Dynamite 1974

- Spirits in the Dark 2019

- Butterfly Kisses 2017

- The Thing on the Shelf 2018

- Doom Room 2013

- The Demonologist 2018

- The Harrowing 2018

- Zombie 1979

- Brutal 2018

- Phantoms of the Fog 2018

- Mandao of the Dead 2018

- House of Forbidden Secrets 2013

- Lost + Found 2018

- Prehysteria! 1993

- Papa, the Man, the Myth, the Legend 2016

- The Nothing Man 2018

- Becoming Iconic 2018

- Twelve Monkeys 1995

- Agalmatophilia 2018

- Crimson Peak 2015

- The New York Butcher 2016

- Shellmont County Massacre 2018

- Beauty Queen 2018

- Virgin Genocide 2018

- Bloody Birthday 1981

- The Big Take 2018

- Somnium 2018

- The Wedding Party 1969

- Lasso 2018

- Intensive Care 2018

- John #3 2017

- Ripper Tour 2018

- A Killer Conversation 2014

- The Night Monica Came Back 2017

- Star Crash 1979

- Strangler of the Swamp 1946

An Interview with Jonathan Martinez, Soundtrack Composer of Defarious

by Mike Haberfelner

October 2018

Films scored by Jonathan Martinez on (re)Search my Trash


Quick Links

Abbott & Costello

Alice in Wonderland

Arsène Lupin



Black Emanuelle

Bomba the Jungle Boy

Bowery Boys

Bulldog Drummond

Captain America

Charlie Chan


Dick Tracy

Dr. Mabuse

Dr. Orloff

Doctor Who


Elizabeth Bathory



Flash Gordon


Frankie & Annette Beach Party movies

Freddy Krueger

Fu Manchu





El Hombre Lobo

Incredible Hulk

Jack the Ripper

James Bond

Jekyll and Hyde

Jerry Cotton

Jungle Jim


Kekko Kamen

King Kong

Laurel and Hardy

Lemmy Caution


Lone Wolf and Cub

Lupin III


Marx Brothers

Miss Marple

Mr. Moto

Mister Wong


Nick Carter

OSS 117

Phantom of the Opera


Robin Hood

Santa Claus

El Santo

Schoolgirl Report

The Shadow

Sherlock Holmes


Star Trek

Sukeban Deka



Three Mesquiteers

Three Musketeers


Wizard of Oz

Wolf Man

Wonder Woman




You've recently scored the movie Defarious - so first of all, what's that movie about?


So without giving away too many spoilers, Defarious from R&F Entertainment, is about a young woman who we come to know as simply “Amy” played by the award-nominated actress Janet Miranda. We learn that Amy suffers from a sleep disturbance, marked by vivid nightmares and sleep hallucinations. In Amy’s case, her symptoms push her into a psychotic break with reality and we the audience are given a glimpse into her nightmarish world.


Do talk about your score for Defarious for a bit, its style and influences?


Orchestration aside, it was important for me to find a theme and distinctive feel for the film. The challenge was finding a way to both tie the audience into Amy’s story on an emotional level while at the same time being relentlessly terrifying on another. The music had to tell a cohesive story or else it would just be background noise. I knew that I really wanted to do something experimentally evocative with the score and I also knew that I wanted it to be completely orchestral. The style is definitely what some would call reminiscent of classic horror films from the 80's and 90's. Some of my own personal influences have been films like Clockwork Orange, Jeepers Creepers, the Scream franchise, and of course the Chucky the Killer Doll franchise.


How did you get involved with the project in the first place?


Defarious' producer, director, writer and editor Chase Michael Pallante [Chase Michael Pallente interview - click here] and I worked on a feature length horror film together called Arisen (available now at, which I also composed the score for. Shortly after the conclusion of production, he asked me to come onboard to score Defarious and I happily agreed.


Now how did you (and do you usually) approach composing the score for the film, to what extent do you familiarize yourself with it (and its theme) beforehands?


I generally like to watch the film a few times through. For me it’s very important that I have a chance to build a solid feel for the raw story and emotional story arcs. I like to take the time to imagine myself in the headspace of every character, really giving myself the opportunity to try and understand what they’re feeling and going through. The next crucial step is finding the most basic way to communicate those feelings and thoughts in musical form. This could be a rhythm, a certain set of notes, a short melody, and even sounds you wouldn't necessarily think of as musical. All these aspects form the colours and building blocks for what eventually gives way to a full-fledged film score when you start to put it all together conceptually. I definitely did a lot of experimenting with different sounds and styles, trying to nail down the sound of Defarious.


What can you tell us about your director Chase Michael Pallante [Chase Michael Pallente interview - click here], and what was your collaboration like?


One thing I enjoyed about working with Chase is that he really understands what he wants, in terms of the emotional impact, out of a scene, but at the same time he doesn’t dictate which notes or instruments to use. He understands the power of creative freedom.


Any future projects you'd like to share?


Actually yes, thank you for asking. Keep an ear out for my music, in the feature horror production Arisen 2, by filmmaker Zay Rodriguez!


What got you into making music in the first place, and how did you get into scoring movies from that?


I’ve always been musically inclined since I was old enough to remember. But I didn’t actually know that I wanted to be a film scorer until about nine years ago when I came across the God of War game series franchise. I remember being completely blown away by the game’s music. For me, it was pretty devastating considering up until then, I was certain that I wanted to major in computer science. After a few fan emails to the God of War’s original lead composer Gerard Marino, I got a chance to pick his brain on the topic of game scoring, which pretty much led to me diving head-first into music composition. I switched my major to classical voice and shifted my focus to scoring as many indie films as possible. Eventually I auditioned and got into the Berklee College of Music and began pursuing a bachelor’s degree in film scoring.


What can you tell us about your filmwork prior to Defarious?


photo by Jonathan X. Martinez 

courtesy of R&F Entertainment

Feeling lucky ?
Want to
any of my partnershops yourself
for more, better results ?

The links below
will take you
just there!!!

Find Jonathan Martinez
at the amazons ...


Great Britain (a.k.a. the United Kingdom)

Germany (East AND West)

Looking for imports ?
Find Jonathan Martinez here ...

Your shop for all things Thai

Prior to Defarious, I have not had the experience of working on a horror film that was both terrorific and intimate simultaneously. Defarious was definitely a great exercise in working within limitations. I had to be very careful not to command too much attention to the music at the wrong moments. But I also needed to give the monster a life of its own, making it seem larger than life in its own right, despite the rather intimate settings. There are also plenty of scenes that involve little to no dialogue, so a new challenge became finding ways to implement music that was both simplistic and unobtrusive at times but also evocative and hair-raising.


Musicians who inspire you?


Musicians who inspire me? That list may very well be endless. I guess for starters: John Williams, Brian Tyler, Gerard Marino, Bennet Salvay, Alfred Newman, Igor Stravinsky, Antonio Vivaldi ... for starters.


And since this is primarily a movie site, your favourite movies?


Some of my favorite movies are definitely the Scream franchise, Don Mancini’s Chucky franchise, Jeepers Creepers, The Texas Chainsaw Massacre for starters…


... and of course, films you really deplore?


That’s really a tough one. Honestly, if it doesn’t have a good film score or at least tantalizing story telling, then it’s safe to say it’s probably not going to make it into my favorites.


Your website, Facebook, whatever else?


Fans of Defarious and anyone else looking to find out more about my work, or what I do, can follow me on Soundcloud at and on Instagram @HisRoyalGrace


Anything else you're dying to mention and I have merely forgotten to ask?


Yes! Please look out for Defarious this Halloween. Pre-orders have already began and the film's official world release date is October 12! Go to to be able to watch it in your country.

Follow the film here:


Facebook:" target="_blank">




Thanks for the interview!


© by Mike Haberfelner

Legal note: (re)Search my Trash cannot
and shall not be held responsible for
content of sites from a third party.

Thanks for watching !!!



On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide


A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
Ryan Hunter and
Rudy Barrow

out now on DVD



Stell Dir vor, Deine Lieblingsseifenoper birgt eine tiefere Wahrheit ...
... und stell Dir vor, der Penner von der U-Bahnstation hat doch recht ...
... und dann triffst Du auch noch die Frau Deiner (feuchten) Träume ...


Und an diesem Tag geht natürlich wieder einmal die Welt unter!!!


Bauliche Angelegenheiten
ein Roman von
Michael Haberfelner


Jetzt kaufen bei