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Der Kommissar - Mit den Augen eines Mörders
episode 74
West Germany 1974
produced by Helmut Ringelmann for Neue Münchner Fernsehproduktion/ZDF
directed by Theodor Grädler
starring Erik Ode, Reinhard Glemnitz, Günther Schramm, Elmar Wepper, Helma Seitz, Michael Heltau, Susanne Uhlen, Maria Sebaldt, Gerd Baltus, Ruth-Maria Kubitschek, Simone Rethel, Wolfgang Weiser, Marlies Schönau, Fritz Schmiedel, Peter Martin Urtel, Günter Clemens, Friedrich G. Beckhaus
written by Herbert Reinecker, series created by Helmut Ringelmann, Herbert Reinecker, music by Erich Ferstl, title theme by Herbert Jarczyk
TV-series Der Kommissar
review by Mike Haberfelner
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Eva (Susanne Uhlen), a well-liked 16 year old schoolgirl, is found
strangled to death somewhere out in the streets, and inspector Keller
(Erik Ode) and his team (Reinhard Glemnitz, Günther Schramm, Elmar
Wepper) are quick to find out she was last seen by her best friend in
school, Anneliese (Simone Rethel), when they did their French homework
together - however they stumbled over a certain phrase, a phrase that one
of Eva's teachers (Ruth-Maria Kubitschek) recognizes from a conversation
she had with Eva's music teacher Voss (Michael Heltau). So Keller and
company grill Voss, and soon find out that he and Eva were secretly in
love with one another, but Voss has always insisted that they wait for her
to finish school before they actually get involved - but he willed into
them getting secretly engaged. News Eva just couldn't keep to herself and
thus first told of all people Anneliese's father (Wolfgang Weiser), who
has long had the hots for her and who now ... erm, for some reason
strangled her. Now Michael Heltau as the teacher with a secret
who's caught between passion and forced restraint actually gives a pretty
good performance - but he isn't exactly helped by the far fetched script
full of stilted dialogues and characters acting against logic or reason,
which ultimately culminates with a culprit pulled completely out of a hat
with too little character motivation, while quite a few clues just don't
make sense or are just conveniently dropped at random points in the story.
And at least from today's point of view, the schoolgirl angle comes across
as almost dangerously sleazy, but that said, at least seen from a
nostalgic perspective, the episode is at least some fun - if for mostly
the wrong reasons.
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review © by Mike Haberfelner
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