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1.) Dynamit in Grüner Seide / Death and Diamonds, West Germany/Italy 1968, directed by Harald Reinl, screenplay by Rolf Schulz, Christa Stern, based on characters from the magazine series G-Man Jerry Cotton published by Bastei, music by Peter Thomas

2.) Der Mörderclub von Brooklyn / Murderers Club of Brooklyn, West Germany 1967, directed by Werner Jacobs, screenplay by Herbert Reinecker (as Alex Berg), dialogue by Manfred R.Köhler, based on characters from the magazine series G-Man Jerry Cotton published by Bastei, music by Peter Thomas

3.) Mordnacht in Manhattan / Manhattan Night of Murder, West Germany/France 1965, directed by Harald Philipp, screenplay by K.B.Leder, Herbert Reinecker (as Alex Berg), based on characters from the magazine series G-Man Jerry Cotton published by Bastei, music by Peter Thomas

4.) Die Rechnung - eiskalt serviert, West Germany/France 1966, directed by Helmut Ashley, written by George Hurdalek, based on characters from the magazine series G-Man Jerry Cotton published by Bastei, music by Peter Thomas

5.) Schüsse aus dem Geigenkasten / Shots from the Violincase, West Germany/France 1965, directed by Fritz Umgelter, written by Georg Hurdalek, based on characters from the magazine series G-Man Jerry Cotton published by Bastei, music by Peter Thomas

6.) Der Tod im roten Jaguar, West Germany/Italy 1968, directed by Harald Reinl, screenplay by Herbert Reinecker (as Alex Berg), based on characters from the magazine series G-Man Jerry Cotton published by Bastei, music by Peter Thomas

7.) Todesschüsse am Broadway / Deadly Shots on Broadway, West Germany 1969, directed by Harald Reinl, screenplay by Rolf Schulz, Christa Stern, based on characters from the magazine series G-Man Jerry Cotton published by Bastei, music by Peter Thomas

8.) Um Null Uhr schnappt die Falle zu, West Germany/France 1965, directed by Harald Philipp, written by Fred Denger, Kurt Nachmann, based on characters from the magazine series G-Man Jerry Cotton published by Bastei, music by Peter Thomas


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Stell Dir vor, Deine Lieblingsseifenoper birgt eine tiefere Wahrheit ...
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