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Pisutoru Opera

Pistol Opera

Japan 2001
produced by
Ikki Katashima, Satoru Ogura, Tadayoshi Kubo (executive) for Victor Company of Japan (JVC), Shochiku, Eisei Gekijo, Dentsu Inc, Television Tokyo Channel 12, Ogura Jumisho
directed by Seijun Suzuki
starring Makiko Egumi, Sayoko Yamaguchi, Hanae Kan, Mikijiro Hira, Kirin Kiki, Kenji Sawada, Haruko Kato, Masatoshi Nagase, Tomio Aoki, Yoji Tanaka, Yoshiyuki Morishita, Jan Woudstra, Kensaku Watanabe (as SakutaroInui)
written by Kazunori Ito, Takeo Kimura, music by Kazufumi Kodama, production design by Takeo Kimura

review by
Mike Haberfelner

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Stray Cat (Makiko Esumi) is a contract killer, and she must be pretty good too, since the Guild has set her as Number 3 ... however, as of late she has grown tired of her job and wants out, but her contact, the masked Uekyo (Sayoko Yamaguchi), warns her that the Guild won't accept that - instead she gives her a new assignment: To kill Hundred Eyes, the Number 1 according to the Guild, and take his place. Two problems though, nobody, not even the Guild, knows who Hundred Eyes really is, it could be anybody, and everybody else has gotten the same assignement, so slowly but surely the Guild killers start to kill each other - and in order to survive, Stray Cat has to join the game, even if she has grown soft enough by now that she refuses to kill a witness of one of her hits, the young girl Sayoko (Hanae Kan), and instead adopts her.

Stray Cat's duels and the opponents she faces get more and more bizarre, and the whole affair gets to her more and more, especially when she ahs to sacrifice Sayoko as well, but ultimately she makes it through all the killers after her to meet Hundred Eyes - who turns out to be her contact Uekyo herself (not really surprisingly). In an extended finale (which involves an underground world and half-naked dancers, among other things), Stray Cat finally manages to shoot Hundred Eyes.

Now that she's Number 1, Stray Cat hopes to leave the whole world of paid assassins behind her ... but not so, around the very next corner, she meets yet another killer who wants to become Number 1 ... and to save him the trouble, Stray Cat (who probably could have taken her opponent easily) just shoots herself ...

 

A very weird movie. A sort-of reinterpretation of director Suzuki's own masterpiece Branded to Kill from 34 years ago, Pistol Opera starts out realistic enough, just like your typical genre film, but as the plot unfolds, the whole thing gets weirder and weirder and moves into a bizarre, surreal world of primary colours, of intentionally klutzy special effects and intentionally unconvincing sets that totally transcend the genre and add a very trippy feeling to the proceedings - which is definitely not something one would expect from a crime drama.

In itself, the film is fascinating, but be warned, if you expect solid crime drama or even a film along the lines of Branded to Kill, you'll probably be disappointed.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Tales to Chill
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Tales to Chill
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