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Mir hat es immer Spass gemacht

How Did a Nice Girl Like You Get Into This Business?
The Naughty Cheerleader

West Germany 1970
produced by
Horst Wendlandt, Kilian Rebentrost (executive) for Rialto
directed by Will Tremper
starring Barbi Benton, Klaus Kinski, Hampton Fancher, Clyde Ventura, Jeff Cooper, Roman Murray, Ivor Francis, Broderick Crawford, Lionel Stander, Marc De Vries, José Luis de Vilallonga, Riccardo Garrone, Leon Janney, Eric Matthews, Lisa Lesco, Larry Gallery, Jay Clark, Ed Begley jr, Ray Baumel, Paul Muller, Mino Doro, Max Nosseck, Claude Farell, Umberto D'Orsi, Bruce Low, Frank Sorrell, Robert Henry Morton, Speedy Zapata, Christian Anders, Hugh Hefner, Massimo Serato
screenpay by Will Tremper, additional material by Roman Murray, based on the novel by Lynn Keefe, music by Klaus Doldinger

review by
Mike Haberfelner

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16 year old Lynn (Barbi Benton) is your typical small town good girl, always prim and proper, and even though she's in highschool, she already knows she will one day marry Ronnie (Mark De Vries), her slightly boring but good-natured highschool sweetheart, who wouldn't dream of touching her because it's not the right thing to do. Then though, Lynn meets Nick (Clade Ventura), the typical bad boy, who fucks her on his speeding motorbike on their first date, and suddenly everything changes ... and they shag, shag and shag - until she gets pregnant.

She wants to marry him, but he'll have nothing of the sort, and doesn't want a kid, either ... so she runs away to avoid scandal, and starts as a waitress somewhere in the Catskills - where everybody wants to fuck her. Not too bad until a state trooper wants to take her back to her family, but she shags him to make a getaway to Philadelphia.

In Philly, Lynn loses her baby but finds what she considers true love - love that remains unrequited. So eventually she finds herself on a bus to Boston with "the admiral" (Lionel Stander), a man thrice her age ... who is the first guy she allows to fuck her for money - right on the bus.

In Boston, it doesn't take Lynn long to become a partner at a record company ... it just takes her a little longer that her part of the deal is being the house prostitute supposed to seduce DJ Bob Green (Jeff Cooper). It's ok for her because she loves the company's boss Frank (Roman Murray) though ... until he throws her out.

Miami Beach: Lynn is 18 by now, and she takes advantage of being confused for Miss Luxembourg - and in Sam (Klaus Kinski), she has found herself a pimp in no time who rents her out to rich businessmen for money. She doesn't mind to sell herself, but then a Texas millionair (Broderick Crawford) finds out about the Miss Luxembourg-scam - and Sam and Lynn have to make an escape to Europe, where he tries to establish her as the girlfriend of Hugh Hefner (ironically Barbi Benton's real-life boyfriend at the time) - a ruse that soon pays off as she finds herself starring in movies soon enough ... sex pictures of course. Eventually though she finds out that everyone is just taking advantage of her, and she quits everything - and finds true love in her director Gino (Hampton Fancher) in return.

He's supposed to be a rich heir, but once they're married Lynn finds out Gino has been disinherited, and he loses the little he has saved at the gambling tables of Monte Carlo - leaving her no choice other than become a prostitute once more - high class prostitute at least.

 

A film that tries its best to be as sleazy as possible, plotwise - after all it's about an innocent girl becoming a prostitute without making any excuses about it -, but then fails to deliver in terms of nudity and sex. Now I'm not saying a film, even of this kind, absolutely needs to have nudity (though it doesn't hurt either), but the movie totally fails to make up for its lack in any other department: The direction is flat, the characters are one-dimensional at best, and the story totally lacks any buildup or at least dramatic tension, and most of the time is undecided whether it wants to go the comedy or the drama route. And actingwise, only Klaus Kinski manages to bring any colour to the table. Sure, Barbi Benton is at least pretty, and the 1960s/70's outfits presented in the film do have their charm, but that's hardly enough to really like the film, now is it?

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
demons and potholes,
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shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
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the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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