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Mädchen in Uniform
Jeunes Filles en Uniforme

West Germany / France 1958
produced by
Artur Brauner, Joseph Spigler for CCC-Filmkunst, Les Films Modernes
directed by Géza von Radványi
starring Romy Schneider, Lilli Palmer, Therese Giehse, Blandine Ebinger, Danik Patisson, Ginette Pgeon, Margaret Jahnen, Adelheid Seeck, Gina Albert, Sabine Sinjen, Christine Kaufmann, Marthe Mercadier, Regine Burghardt, Ulla Moritz, Lou Seitz, Edith Helou, Tessy Aselmeier, Edith Adana, Käthe Kamossa, Paulette Dubost
screenplay by Friedrich Dammann, Franz Höllering, based on the play Ritter Nerestani by Christa Winsloe, music by Peter Sandloff

review by
Mike Haberfelner

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Prussia, 1910: After the death of her mother, young Manuela (Romy Schneider) is sent to a boarding school, but she receives no sympathy for her loss there. Rather, the matron (Therese Giehse), a bitter old woman, sees the school as nothing more than a training ground for future soldiers' mothers, whose first duty it is to be obedient rather than indicidualistic, and she is readily seconded by her sedond-in-command Miss von Racket (Blandine Ebinger). Only Manuela's class teacher, Miss von Bernburg (Lilli Palmer) shows affection to the girls in general and to Manuela in particular. Thing is, Manuela mstakes this kind of affection for love, falls in love with her, and even tries to get physical with her teacher (which is represented though in a very chaste, almost innocent way).

Unfortunately though, another student, Alexandra (Danik Patisson), who was Miss von Bernburg's former favourite and who is in a way also in love with her, grows jealous, and when after a theatre performance of Romeo and Juliet (by Shakespeare, in case you wondered), Manuela (who played Romeo) is a bit (well, more than a bit) drunk and confesses her love for Miss von Bernburg to the class, Alexandra arranges for the matron to be present at this incident, too.

Things get into motion pretty fast, Miss von Bernburg is forced to resign and Manuela is put into solitary ... but then Manuela attempts suicide, and can be saved only by Miss von Bernburg ... which is when the matron finally sees the error of her ways ...

 

After years of doing light hearted kitsch following her tremendous success in the Sissi-films (1955 - 1957), Mädchen in Uniform was then 20-year old Romy Schneider's first serious role, which she handles with aplomb. On paper, the film (actually a remake of a - superior - 1931 film by the same name, directed by Leontine Sagan) might sound interesting too, touching upon pseudo-militaristic girls' schools and lesbianism alike ... but unfortunately the film gives away all its opportunities (and I am not saying here it should have been more explicit): The whole lesbian subtext is very downplayed, to a point where you could find yourself interpreting the film differently, Lilli Palmer's rather icey performance does not make one believe a girl could fall in love with her, much of the plot is reduced to a good (= the sensitive teacher) vs efil (= the militaristic, bitter matron) dichotomy, and the reconciliation at then end, where the matron has become a better person, seems like a bad joke at best.

Well, at least this film showed us another side of Romy Schneider, and she woudl do better afterwards.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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Tales to Chill
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a collection of short stories and mini-plays
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Tales to Chill
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