- Ax 2013
Liebesspiele junger Mädchen
After School Girls
Hungry for Sex / Love Games of Young Girls / Muntere Pärchen packen aus / Hot Hungry School Girls
West Germany 1972
directed by Franz Josef Gottlieb
starring Karin Götz, Mathis Böttcher, Christine Schuberth, Catharina Conti, Astrid Kilian, Michael von Harbach, Helmut Kircher, Bruno W.Pantel, Karin Glier-Schöneis, Erich Padalewski, Peter Kranz, Peter Böhlke, Liane Hielscher, Jörg Nagel, Eric Wedekind, Otto Stern, Astrid Boner, Enzi Fuchs, Mogens von Gadow, Josef Moosholzer
written by Franz Josef Gottlieb, music by Gerhard Heinz
5 stories document what teenagers will do when their parents are out:
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- Renate (Karin Götz) & Bernd (Mathis Böttcher) are at it, when her parents
(Enzi Fuchs, Morgens von Gadow), come back
home & catch them in the act. Unfortunately, Renate gets a cramp from
the excitement, & Bernd gets stuck inside her. Panicking, the parents
decide to take the 2 to the hospital in their van. On the way there,
though, Renate is relieved of her cramp, & the youngsters -
unbeknowest to her parents - decide to finish off what they started.
- When her parents are out, a girl lends her appartment to a
friend so she can have sex with her boyfriend, much to the dismay of her
own boyfriend, who wanted to have sex with her.
- A swimming teacher (Helmut Kircher) realises homosexual tendencies of 2 of
his students, Detlev (Michael von Harbach) & Kurt (Peter Kranz), & - liberal guy that he is - he
spills the beans to their parents (what ?) & while Detlev's parents
are rather open-minded, Kurt's father (Peter Böhlke) is devastated, but his mother
(Liane Hielscher) has
got a clever idea. She persuades her hubby to leave the house for the
night, & instead sends over Christine (Christine Schuberth), a callgirl posing as her
colleague, who seduces the boy ... Mission accomplished, boy straight ! (They really bought that in the
- Heidi (Catharina Conti) & her stepmom Elli (Karin
Glier-Schöneis) are constantly competing over
who is more seductive ...
One day, when father's away, Heidi invites her boyfriend Peter
(Jörg Nagel) over to
have terrific sex, unfortunately halfway through the act, Elli & her
lover Jensen (Erich Padalewski) - Peter's geography teacher - come home to have sex too, when
their favourite motel is closed, but not only that, they want to do it in
Heidi's bed, & the youngsters have just enough time to hide under it.
But when Elli & Jensen are at it, her hubby (Bruno W.Pantel) comes home, & Jensen
hides under the bed, too, while Elli & her hubby now have sex.
Fortunately Heidi keeps her head clear enough to smuggle the 2 men out
before her father can notice anything.
- Rolf (Eric Wedekind) & Julia (Astrid Kilian) have a pure relationship, & they have
refrained from having sex for 2 years. But one day, Rolf's father (Otto
Rolf alone for a night & of course the boy calls Julia so they can
finally have sex for the first time. Of course, the next day, Rolf's
father catches the 2, sleeping in bed in the nude. & the situation is
not made any better when Julia tells him her mother (Astrid Boner) runs a massage
(yes, that kind of massage salon). Rolf's father immediately decides to
send him to a boarding school - but the day before that, Julia invites
Rolf over with her mother's blessing, so they can have terrific sex again,
while the mother tries to preach to Rolf's father about the liberal morals
of modern schoolgirls in only the next room.
The last scene shows Rolf & Julia parting at a railway station ...
but somehow the image suggests their love will last.
This movie, produced in the wake of the hugely successful Schulmädchen
Report/Schoolgirl Report-series (the poster for one of these movies is even shown prominently
in this movie & commented upon), is a collection of erotic tales ranging
from the comedic (though mostly unfunny) to the cheesy. Unfortunatley though,
more like anything else it looks like a production line product, made with
little conviction & infused with no directorial style at all, so despite
young naked bodies aplenty, it holds little interest & manages to be not
even unintentionally funny.
review © by Mike Haberfelner
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