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Leena Meets Frankenstein

USA 1993
produced by
L.S. Talbot for Odyssey Group
directed by Scotty Fox
starring Leena, Mike Horner, Nicole London, Tony Tedeschi, Madison, Jon Dough, Brittany O'Connell, Randy Spears, Tina Tyler, Paige Carlson
written by L.S. Talbot, music by Double Vision

Frankenstein, Dracula, Wolf Man, Van Helsing

review by
Mike Haberfelner

After their car has broken down, Leena and Nicole (London) ask for help at some old mansion - that's coincidently owned by Dracula (Mike Honer), who has enslaved the Wolf Man (Tony Tedeschi) and keeps the Frankenstein monster (Jon Dough) in his basement. And he wants to conquer the world, too. Enter Van Helsing (Randy Spears), the totally ineffective last son of a long line of vampire hunters, who walks into a trap before he can do anything. So it's up to Leena to seduce Dracula while Nicole shags the monster to keep him from interfering. After Leena has had sex with Dracula, she opens the curtains to let the sunlight in - and disintegrate the vampire in the process. And as a thank you she keeps Van Helsing ...

 

A parody of the Universal horror cycle in the style of Abbott and Costello Meet Frankenstein (and thus mostly shot in black and white) - but with added hardcore sex (for the sex scenes the film switches to colour). The result is not exactly a masterpiece, but it's actually quite amusing at times, but it falls into the same trap most porn parodies fall into: The sex scenes are not woven into the plot but tagged onto it, and instead of supporting the film storywise, they interrupt the plot a few times too often. That said, there are far worse porn parodies out there ...

 

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

Stell Dir vor, Deine Lieblingsseifenoper birgt eine tiefere Wahrheit ...
... und stell Dir vor, der Penner von der U-Bahnstation hat doch recht ...
... und dann triffst Du auch noch die Frau Deiner (feuchten) Träume ...

 

Und an diesem Tag geht natürlich wieder einmal die Welt unter!!!

 

Bauliche Angelegenheiten
ein Roman von
Michael Haberfelner

 

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