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Heugsuseon

Last Witness

South Korea 2001
produced by
Cinema Service/Taewon/NNP Capital/SBS
directed by Bae Chang-ho
starring Lee Jung-jae, Ahn Sung-kee, Lee Mi-yeon, Jeung Jun-ho, Lee Ki-yeong

review by
Mike Haberfelner

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Seok (Ahn Sung-kee) is released from prison after 49 years.

In a seemingly unrelated event, Yang Dal-su (Lee Ki-yeong) is found murdered, & since he was a drug addict - despite his 70 years of age -, at first a drug related crime is suspected ... but all the clues gathered lead detectives Oh (Lee Jung-jae) & Yuh to the rural island of Geoje, where the 2 cops find a childhood photograph of Yang Dal-su, together with his pals from school Seok & Han Dong-ju (Jeong Jun-ho), & a diary ...

Before they can make any use of these findings though, Yuh is shot dead (his own fault though since he just told Oh that his daughter is having her 13th birthday - a big no-no for cops in movies), & the assailant, after Oh shoots him, is identified as a professional killer.

Oh though carres little about this evidence - or his partner's death for that manner - & starts reading the diary, which is that of Sohn Ji-hye (Lee Mi-yeon), Seok's girlfriend from 50 years ago.

As she, back then, was a communist, she & Seok went into hiding beneath her old school, where several other communists, lead by borderline psychotic Han Dong-ju have also been hiding. Han Dong-ju does enjoy his power, & doesn't even refrain from killing his comrades when they misbehave, just to cement his position ...

Somewhere arond here the diary stops, but detective Oh has little trouble finding the protagonists Seok & Ji-hye to tell him the rest of the story ...only Han Dong-ju has died decades ago & thus won't be able to help out.

Back in the 50's, Ji-hye, Seok & the communists are found out by a group of soldiers, led by merciless Yang Dal-su (yep, the dead man from the beginning of the movie, & the schoolmate of both Seok & Han Dong-ju), who burns down the schoolhouse to smoke them out. Only Ji-hye, Seok & Han Dong-ju manage to escape somehow, but when Han Dong-ju wants to die the martyr's death, Seok forces him to bring Ji-hye to safety instead while he distracts the soldiers ... however, eventually they all land in prison - where Ji-hye buys her & Seok's freedom by becoming Yang Dal-su's wife - & tries to poison herself to escape her life in misery, but the poison only blinds her ... which proves to be enough for Yang Dal-su to discard her anyway ...

The police soon arrests Seok as the only possible suspect, only Oh (again) has another idea & finds out Japanese businessman & big-tiem drugdealer Shintaro is indeed Han Dong-ju, who only faked his own death to escape prosecution & is now dong well in Japan ... so well, that Yang Dal-su, by then down on his luck, started to bribe him.

In Japan, Oh confronts Shintaro/Han Dong-ju with his evidence, & at first Han Dong-ju tries to bribe him, then it all ends in a shoot-out, until Han Dong-ju, seeing the hopelessness of his situation, shoots himself ... but not before claiming he did not shoot Yang Dal-su ...

& indeed, on the airplane back to Korea, Oh reads in the newspaper that Seok did already confess to the crime ... but to noone's surprise it wasn't him either but Sohn Ji-hye, who has only pretended to be blind all those years &, upon finding out that Seok - despite Yang Dal-su telling her otherwise - has indeed spent his whole life in prison, & now she wanted revenge on Yang Dal-su ... & on all the others who wronged her & cheated her out of her one true love.

It all ends in another of these shoot-outs, & in the end, Ji-hye dies in Seok's arms ...

 

On a superficial level, this movie is beautifully filmed, & an interesting blend of genres, from cop- & serial-killer-thriller to historical drama & love story, digging a little deeper though, little of this fascination remains, as it turns out to be just a deliberate mix of clichés of all of these genres (the worst cliché maybe being the cop telling his partner his daughter is turning 13 & being shot just 5 minutes later - & it isn't even an American film) with at best 2-dimensional characters (the worst here is detective Oh, who's supposed to be something like a loose cannon, but hardly shows any outbursts of violence even a mildmannered accountant would be ashamed of), stumbling through an array of pretty pictures & trying to solve a mystery the average audience has solved halfway through the movie.

Admittedly though, the movie is not quite as bad as this may sound, & it has its moments, including some fine action scenes ... only, it's not a good film, either.

 

review © by Mike Haberfelner

 

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special appearances by
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directed by
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written by
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produced by
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