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Nikutai no Mon

Gate of Flesh

Japan 1964
produced by
Kaneo Iwai for Nikkatsu
directed by Seijun Suzuki
starring Yumiko Nogawa, Jo Shishibo, Satoko Kasai, Kayo Matsuo, Tamiko Ishii, Misako Tominaga, Isao Tamagawa, Koji Wada, Keisuke Moro, Chico Rowland
screenplay by Goro Tanada, based on a novel by Taijiro Tamura, music by Naozumi Yamamoto, art direction and production design by Takeo Kimura

review by
Mike Haberfelner

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Tokyo,shortly after Word War II: In the bombed out city, poverty rules, & the best ways to escape poverty are hustling, pimping or simple thieving.

So Maya (Yumiko Nogawa), an innocent young girl with little more than the cloths on her body, soon sees herself forced to sell her body, & is taken up by O Sen (Satoko Kasai), a prostitute who with her colleagues O Mino (Kayo Matsuo), O Roku (Tamiko Ishii) & Machiko (Misako Tominaga) has put up shop in a bombed out house, wheere they receive their clients & are able to take care of one another without needing a pimp who would take most of their money away. Their only rulle is, never doing a man for free, who ever does it is severely tortured as punishment. Out of necessity, Maya soon adapts to the lifestyle pretty well ... only Machiko, it seems, has difficulties being a whore, as she seems herself as something better than the others, dreams of one day becoming a respectable wife, & has clearly fallen in love with one of her regular customers.

The rest of the girls promptly fall for Shintaro (Jo Shishido), a brutish ex-soldier & criminal, who seeks (& finds) shelter & a hideout in their bombed out place after he has stolen penicilin & killed a GI. Of course as soon as the man is here it's just a matter of time until tensions begin to show, especially since they all want him, & sooner or later one of them will break the rule of no fucking for free ...

'The first who breaks that rule though is Machiko, & not with Shintaro but with her favourite customer, & she is severely whipped & beaten up, the other girls would even have killed her wouldn'T Shintaro have interfered.

Machiko is then cast out, but before long, she meets Shintaro again & learns that he is not at all - as she suspected - in league with the girls but rather detests them, but needs their pace as a hide-out. As a sort of revenge, Machiko seduces Shintaro ...

Later, Shintaro has a party with his 4 prostitutes, & somehow all of them want to seduce him, but in the end, only Maya is able to (the others are too drunk).The next morning though, O Sen secretly overhears a conversation between Maya & Shintaro, where he tells her he will make a getaway that afternoon & agrees to take her with him ... so O Sen betrays him to the police (& he is shot eventually) while Maya is severely tortured for having fucked him for free ...

When she finally arrives at her meeting point with Shintaro, Maya naturally doesn't find him, only a Japanese flag, swimming in the sewers ...

 

Despite its sombre topic & the dramatic story it tells, Gate of Flesh is a remarkably entertaining film: It manages to tell its story about sex & violence borne out of necessity without preaching, every now & again interrupting the plot by light, even amusing scenes. Perfect use is made of colour as well as the bombed out city-sets (that have an almost expressionist quality) to emphasize on the plots underlying meanings - but without being too obvious, but at the same time without playing them down or denying them.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
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special appearances by
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directed by
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written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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love and death and everything in between,
Tales to Chill
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Tales to Chill
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-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
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Tales to Chill
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Out now from
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