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Crossroads

USA 1942
produced by
Edwin H.Knopf for MGM
directed by Jack Conway
starring William Powell, Hedy Lamarr, Claire Trevor, Basil Rathbone, Margaret Wycherly, Felix Bressart, Sig Ruman, H.B. Warner, Philip Merivale, Vladimir Sokoloff, Bertram Marburgh, John Mylong, Anna Q.Nilsson, Irene Shirley
story by John H.Kafka, Howard Emmett Rogers, screenplay by Guy Trosper, music by Borislau Kaper

review by
Mike Haberfelner

Available on DVD !

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David Talbot (William Powell) is a French diplomat with a loving wife, Lucienne (Hedy Lamarr), and an immaculate reputation. So when he is one day blackmailed into paying 1 million Francs, he does the only sensible thing - he calls the police to arrest the extortionist, Le Duc (Vladimir Sokoloff). However, the trial that follows proves to be almost fatal for Talbot's career, because you know, he was in a serious train accident 13 years ago and has since been suffering from amnesia - and since Le Duc claims he is not the man everyone believes him to be but a petty criminal who has embezzled quite a lot of money. There are several witnesses that even suggest Le Duc has a point, first and foremost Michelle (Claire Trevor), who claims he is her former boyfriend, but in the end it's the testimony of one Henri Sarrou (Basil Rathbone) that puts Le Duc behind bars and clears Talbot's name.

Thing is though, Sarrou later pays a visit to Talbot and claims they have been in a robbery together, and Talbot took off with the loot, just before his accident - and now Sarrou wants his share of the loot, which he intends to get via blackmail ...

Thing is, Talbot really hasn't got the first clue about his own past, and the more he researches the more he even starts to believe he isn't really Talbot but the criminal everybody's suspecting him to be, heck, he even finds a woman (Margaret Wycherly) who practically claims to be his mother through feverishly denying it.

Of course, Talbot is not the criminal these people claim he is, it's just an elaborate extortion stunt thought up by Sarrou and put into action with the help of Le Duc, Michelle, and even Talbot's alleged mother (who's nothing but an actress). But the whole thing is well enough orchestrated to make Talbot fall for it. Of course he doesn't have the money, but he suggests to embezzle it from the safe of the Foreign Office, where he has got keys for the safe. Once Sarrou has his hands on the money though, the police shows up to arrest all the baddies red-handed and clear Talbot's name for good.

How come?

The decisive clue was a photograph that shows Michelle and Talbot that's supposed to be from before his accident - but he has found out the picture had to be manufactured because his hairline is on the wrong side (it's explained in the movie), which is why he pretty much lured Sarrou to the Foreign Office's safe after having called the authorities to provide a welcome commitee ...

 

The premise of this film might be a bit far-fetched, but it works rather well in the context of its story, which results in an entertaining mystery that keeps even the audience guessing until the end, despite some fairly obvious clues. In all though, the film is no masterpiece, it's direction remains a bit too flat and uninspired throughout, but it features a great cast and is pretty enjoyable genre fare.

 

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

Stell Dir vor, Deine Lieblingsseifenoper birgt eine tiefere Wahrheit ...
... und stell Dir vor, der Penner von der U-Bahnstation hat doch recht ...
... und dann triffst Du auch noch die Frau Deiner (feuchten) Träume ...

 

Und an diesem Tag geht natürlich wieder einmal die Welt unter!!!

 

Bauliche Angelegenheiten
ein Roman von
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