
Hot Picks 
- 7x7 2023
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Alive
UK 2023
produced by Annie Rachel Hillman for No Raging Primitives
directed by David Marantz
starring Ellen Hillman, Neil Sheffield, Kian Pritchard, Gillian Broderick, Angus Kennedy, Stuart Matthews, Andrew May-Gohrey, Daniel May-Gohrey, Simone McIntyre, Helen Coathup, Carl Upshell, Johnny Leigh Wright, Nick Ewans, Paul Hughes
written by David Marantz, music by Daniele Carretta, special makeup effects by Claudette Fruchier, Sara Gerwat
review by Mike Haberfelner
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The zombie apocalypse has struck, and teenaged couple Helen (Ellen
Hillman) and Kevin (Kian Pritchard) try to make it to the safety of
"the islands" together with their teacher Miss Horton (Simone
McIntyre), Helen's little brother Barney (Andrew and Daniel May-Gohrey) in
tow. Now Barney has been bitten by a zombie but hasn't turned yet, and by
feeding him raw meat periodically, Helen tries to avert the worst.
Eventually, the kids and their teacher separate, and while hopes are slim
for Miss Horton, the young ones make it to the house of Dan (Neil
Sheffield), who at first comes off as a totally unlikeable hermit, but
eventually it's revealed that he's so bitter only because he keeps his
wife (Helen Coathup) chained up in his attic while she's slowly turning
into a zombie. Eventually, he even promises to help them get to "the
islands", well, at least he shows them where to re-charge their GPS,
at a nearby abandoned school - where the kids come across another group of
survivors, led by Father Albert (Stuart Matthews). At first, they seem
nice enough, and there's strength in numbers, right? But eventually they
find out that Barney's turning and want to kill him. And when Helen finds
out why the group needs her to get into their potential safe haven,
"the valley", the gloves are off, and its humans versus humans
much more than humans versus zombies ... Now zombie films these
days are a dime a dozen, and approximately for the first half of this film
one can't shake the feeling of having seen everything shown here before -
though that's not saying that the film isn't well executed as it quite
clearly is. But it's the closer Alive moves towards its ending, the
more it comes into its own, and in a very unexpected way, as as much
as there's all the zombie action you'd come to expect from a movie like
this, it more and more leans towards a humanistic angle to look at things,
by really blurring the line between monster and victim and asking
questions rarely asked in zombie cinema. And that the whole thing's well
executed, decently paced and solidly acted really helps make this a very
enjoyable and somewhat unusual piece of zombie cinema.
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