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everything he/she might have done in, for or against a movie (well, probably not against a movie, because that would be stupid) |
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article: An Interview with Gregory Lamberson, Director of Guns of Eden, by Mike Haberfelner, December 2022
article: An Interview with Gregory Lamberson, Director of Johnny Gruesome, by Mike Haberfelner, September 2018
article: An Interview with Gregory Lamberson, Writer/Producer of Dry Bones, by Mike Haberfelner, January 2013
article: An Interview with Gregory Lamberson, Director of Slime City Massacre, by Mike Haberfelner, June 2011
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1.) Battledogs, USA 2013, directed by Alexander Yellen, written by Shane Van Dyke, music by Chris Ridenour, Chis Cano, visual effects by Joseph J. Lawson, assistant director: Gregory Lamberson
2.) Guns of Eden, USA 2022, produced by Tamar Lamberson, Chris Cosgrave, Keith Lukowski, Gregory Lamberson, Erin Elizabeth Heald (executive), Armand John Petri (executive), Kim Piazza (executive), Brooke Lewis Bellas (executive), Marc Makowski (executive) for Digital Guerrilla Cinema, Macrocosm Productions, directed by Gregory Lamberson, written by Gregory Lamberson, music by Armand John Petri, Joe Rozler, special makeup effects by Arick Szymecki, stunt coordinator: Alexander S. McBryde
3.) Johnny Gruesome, USA 2018, produced by Gregory Lamberson, Erin Elizabeth Heald (executive) for DeInstitutionalized, Red Hill Movies, directed by Gregory Lamberson, screenplay by Gregory Lamberson, based on his novel of the same name, music by Armand John Petri, Joe Rozler, special makeup effects by Craig Lindberg, visual effects by Chris Cosgrave
4.) Model Hunger, USA 2015, produced by John Rosborough, Lisa Heyden, Debbie Rochon, James Morgart (executive), Jennifer Morgart (associate), Gregory Lamberson (line) for Penny Spent Films, Rebel Idol Films, directed by Debbie Rochon
5.) Showdown in Yesteryear, USA 2022, directed by Aaron Bratcher, story by Tim O'Hearn, screenplay by Gregory Lamberson, music by Brandon Richard
6.) Widow's Point, USA 2019, directed by Gregory Lamberson, screenplay by Gregory Lamberson, based on the book by Richard Chizmar, Billy Chizmar, music by Armand John Petri, Joe Rozler, stop motion and miniature effects by John Vincent, visual effects by Chris Cosgrave
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