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Mystery of the White Room

USA 1939
produced by
Irving Starr for Universal
directed by Otis Garrett
starring Bruce Cabot, Helen Mack, Joan Woodbury, Constance Worth, Thomas E. Jackson, Tom Dugan, Mabel Todd, Roland Drew, Addison Richards, Frank Reicher, Frank Puglia, Don Porter, Byron Foulger, John Harmon, Holmes Herbert
screenplay by Alex Gottlieb, based on the novel Murder in the Surgery by James G. Edwards, musical director: Charles Previn

review by
Mike Haberfelner

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During surgery, the light goes out, and when it goes on again, one of the doctors, Doctor Morton (Addison Richards) is found dead, stabbed by a surgeon's knife - one that bears the initials of Doctor Thornton (Frank Reicher), a once brilliant surgeon who's long lost his talent for surgery due to botched up surgery on his own arm - performed by Doc Morton. Seems like a pretty good motive, but why would he use a weapon that can be traced back to him that easily?

Anyways, soon two other suspects emerge, two young doctors fighting over assistantship at the hospital, Doctor Clayton (Bruce Cabot) and Doctor Kennedy (Roland Drew), and while Kennedy is arrogant enough everyone would really want to pin the murder on him, Clayton is so helpful to the investigating Sergeant Spencer (Thomas E. Jackson) that Spencer soon doubts he's fully innocent. Then another murder happens, this time Thornton. It was made to look like suicide and as if Thornton wrote his confession when he was killed, but apparently someone threw a surgeon's knife (another of Thornton's) at nurse Lila (Joan Woodbury) when she entered the room and then fled the room. The fingerprints on this knife as well as the one that killed Morton belong to Clayton - a bit ridiculous since during surgery he wore surgical gloves, so it would have been pretty hard for him to even be able to leave his prints if he needed to (which apparently he absolutely wouldn't have) ... but it's quickly cleared up by his girlfriend Carole (Helen Mack) that he handled this specific set of knives only the other day.

Soon after that, the hospital's handiman Tony (Frank Puglia) is found, his face doused in acid, and the resident doctors have a hard time to save his life even - but when they manage, the aftereffect is he cannot speak and cannot see, and his hearing has been completely gone for years. So the one man who could identify the killer is ... wait a minute, what if dead Doc Morton's irises are attached to Tony's eyes? Then he couldbe of help after all. Of course, keeping him alive the night before the operation is critical, because there's still a killer on the loose, and sure enough he strikes again, but Clayton's ingenuitysaves his life - also during surgery ... but once Tony's to identify the killer, he points at Tony ... but no, it's the person in the mirror behind Tony, nurse Lila, who was Morton's as-good-as-ditched lover who only wanted revenge on him - and got deeper into it as she went along, to a point where she had to fake that attempt at her own life ...

 

Murder in the White Room will probably never get an award for originality, but it's a well-enough written and executed B-mystery with a medical background, that actually manages to make the most of its hospital locations and themes, also narratively, without confusing audiences not into medical dramas, and moves along at a steady enough pace to iron over the occasional inconsitency. Now add to that well-developed characters and a competent ensemble cast and you're pretty much almost there - which is not to say the film doesn't have its downsides, as for example the killer is only pulled out of the proverbial hat, and a simple jealousy solution is a bit of a letdown for a complex medical thriller, plus some points (red herrings) are emphasized upon too strongly while some of the comic reliefs could have been a little more downplayed, but even taking this into account, you get if nothing else a good hour of genre entertainment.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
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special appearances by
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directed by
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written by
Michael Haberfelner

produced by
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now streaming at

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Robots and rats,
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love and death and everything in between,
Tales to Chill
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Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
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tales that will give you a chill and maybe a chuckle, all thought up by
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Tales to Chill
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the new anthology by
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