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Der Kommissar - Jähes Ende einer interessanten Beziehung
episode 79
West Germany 1974
produced by Helmut Ringelmann for Neue Münchner Fernsehproduktion/ZDF
directed by Theodor Grädler
starring Erik Ode, Reinhard Glemnitz, Günther Schramm, Elmar Wepper, Johanna von Koczian, Vadim Glowna, Klaus Löwitsch, Doris Schade, Werner Hinz, Brigitte Horney, Michael Lenz, Veit Relin, Eduard Linkers
written by Herbert Reinecker, series created by Helmut Ringelmann, Herbert Reinecker, title theme by Herbert Jarczyk
TV-series Der Kommissar
review by Mike Haberfelner
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Alexander Strassner (Vadim Glowna) is on the way to meet up with his
girlfriend, teacher Vera (Johanna von Koczian), to propose to her - when
he's shot dead right outside his house. There are no witnesses though, so
inspector Keller
(Erik Ode) and his team (Reinhard Glemnitz, Günther Schramm, Elmar
Wepper) are left with questioning the parties involved, which consist of
Strassner's roommate Lobach (Klaus Löwitsch), Vera of course, and Vera's
best friend Agnes (Doris Schade), the vicar's (Michael Lenz) maid. What's
weird is though is that Vera at first denies to having had a relationship
with Strassner, despite the engagement rings in his pocket, and Agnes
denies even knowing him, which Lobach eventually explains away with the
story how he and Strassner met Vera and Agnes in a bar when the two women
were on the pull - but later they wanted to hush up the relationship as
they feared to lose their social standings. Now this was very fine with
Lobach, but Strassner has fallen seriously in love with Vera and thus
pretty much blackmailed her to meet with him - until she came over on her
own accord and actually started to fall in love, which of course was ended
by the murder. Now Keller tries to pit Vera against Agnes, being dead sure
it was one of the two women, but then learns Agnes has told everything to
Vera's upper class parents (Werner Hinz, Brigitte Horney), something even
Vera didn't know, and Vera's dad has eventually shot Strassner. This
is not good crime TV, not by a longshot, and not even a decent murder
mystery, as it too desparately tries to cram social commentary into a
whodunnit plot and thus forces its key characters to act and react rather
unnaturally (as is nothing new for screenwriter Herbert Reinecker's
scripts) - which is of course part of the charm of the series Der
Kommissar as a whole. The other fun aspect of this episode is
Johanna von Koczian's performance, as she really wears her heart on her
sleeve in this one, looking too guilty to actually be the culprit and
really making this a surreal experience at times - which I don't blame
half as much on her as I blame it on the material she had to work with. In
all, fun for sure, if for all the wrong reasons.
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