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Der Kommissar - Ein Mord nach der Uhr
episode 94
West Germany 1975
produced by Helmut Ringelmann for Neue Münchner Fernsehproduktion/ZDF
directed by Alfred Weidenmann
starring Erik Ode, Reinhard Glemnitz, Günther Schramm, Elmar Wepper, Helma Seitz, Bruno Dietrich, Detlev Eckstein, Renate Schroeter, Thomas Fritsch, Alexandra Marischka (= Alexandra Paszkowska), Maria Becker, Herbert Fleischmann, Theo de Maal, Oliver Domnick, Angelika Zielcke
written by Herbert Reinecker, series created by Helmut Ringelmann, Herbert Reinecker, music by Heinz Kiessling, title theme by Herbert Jarczyk
TV-series Der Kommissar
review by Mike Haberfelner
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Anita Reese (Alexandra Marischka) is murdered in the home of her
(soon-to-be-divorced) husband Georg's (Bruno Dietrich) home, and at first
glance it looks like a murder with robbery, as whoever killed her was
apparently looking for something when being caught by her and ... Thing
is, the house was full of people, there was Anita's stepmother (Maria
Becker), her retarded son Hans (Thomas Frisch) and Hans's nurse Ms. Harich
(Angelika Zielcke). And once inspector Keller (Erik Ode) and his team (Günther
Schramm, Reinhard Glemnitz, Elmar Wepper) start investigating, they soon
find out that Anita is owed DM one million due to an idiotic pre-nup,
enough money to wreck the family business, which is run by Georg and his
brother Berthold (Detlev Eckstein). So there's the motive for the crime,
and while Georg's alibi is airtight, Berthold's sure isn't, so Mrs. Reese
does what any loving mother would do, to save her two sons she blames
everything on the third one who isn't quite right in the head - and she
even pays Ms. Harich a small fortune just to play ball. Thing is, her
money leaves a paper trail, and based on that and his sheer refusal to
accept Hans as the killer - it was Berthold by the way, with the
acceptance of the whole family -, Keller has the whole family arrested. Screenwriter
Herbert Reinecker's almost uncanny ability to write stilted and actually
unnatural dialogue is in full swing here, maybe also because this
episode's far-fetchedness pretty much demands it - for better or worse
(mostly worse). This though is of course part of the (somewhat nostalgic)
charm of Der Kommissar, and for all its narrative
shortcomings (and there are many), this is one of the better entries into
the series, as it's elegantly directed, getting the most out of its
location, using interesing angles and bold editing choices. Still, not
great TV, but pretty entertaining at least.
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
Tales to Chill Your Bones to is all of that.
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a collection of short stories and mini-plays ranging from the horrific to the darkly humourous,
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all thought up by the twisted mind of screenwriter and film reviewer Michael Haberfelner.
Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
Out now from Amazon!!! |
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