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Der Kommissar - Der Mord an Frau Klett
episode 25
West Germany 1970
produced by Helmut Ringelmann for Neue Münchner Fernsehproduktion/ZDF
directed by Dietrich Haugk
starring Erik Ode, Reinhard Glemnitz, Günther Schramm, Fritz Wepper, Helma Seitz, Vadim Glowna, Else Knott, Alfred Balthoff, Hanns Ernst Jäger, Hilde Volk, Laurence Bien, Siegfried Kretschmer
written by Herbert Reinecker, series created by Helmut Ringelmann, Herbert Reinecker, music by Peter Thomas, title theme by Herbert Jarczyk
TV-series Der Kommissar, Harry Klein
review by Mike Haberfelner
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Inspector Keller (Erik Ode) and his team (Reinhard Glemnitz, Günther
Schramm, Fritz Wepper) investigate a murder case, but seem to hit a brick
wall almost immediately, as the victim, Mrs Klett (Else Knott) seems to
have been an entirely featureless person, someone whom not even her
landlord Wachsner (Alfred Balthoff) knew much about - not even that she
was married, to a man (Hanns Ernst Jäger) who nowadays lives under
bridges. And really only by chance, Keller and company stumble upon the
deceased's long estranged son Willi (Vadim Glowna). Now Keller himself
sticks to the dead woman's husband and son while his assistants zero in on
the landlord, who's also a waiter at a local pub Mrs Klett seems to have
frequented almost every day. And eventually, and independent from one
another, Keller and his assistants come to the same conclusion, that Mrs
Klett has secretly been a drug mule for a minor local crime kingpin
(Laucence Bien), but had the bad sense to embezzle his money. And in the
finale, we see son Willi trying to avenge his mother, but Keller and
company manage to interfere just in time. For the most part,
this isn't too bad an episode, the characters are interesting, and even
the dialogue isn't too stilted. It just falls apart in the resolution that
really feels pulled out of a hat rather than worked upon, especially since
the culprit before the very finale hasn't even been introduced into the
plot, and the story that the victim tried to embezzle money from him in
the most blatant way just lacks credibility. It really seems the writer
has written himself into a corner and just tried to get out of it in the
last five minutes in the clumsiest way possible. That said, this is not an
all bad episode, as it's actually rather well-directed and filmed,
it's just a bit of a letdown in the plot department.
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review © by Mike Haberfelner
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