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The Girl in the Trunk
Denmark 2024
produced by Morten Hjorth, Jim Pedersen, Jannick Raunow, Martin Mortensen Søe (executive) for Lone Tower Visuals, A Bigger Boat, Raunow Productions
directed by Jonas Kvist Jensen
starring Katharina Sporrer, Caspar Phillipson, Hother Bøndorff, Lianna Taylor, Lars Hammer Andersen, and the voices of Christopher de Courcy-Ireland, Danny Thykær, Adam Kitchen, Maja Muhlack, Mark Schedler, Malte Skovgaard
written by Jonas Kvist Jensen, music by Jonas Frederik, special effects makeup by Henrik Amdersen
review by Mike Haberfelner
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Manda (Katharina Sporrer), daughter of rich banker Jennings (Hother
Bondorff, voiced by Christopher de Courcy-Ireland) was supposed to marry a
man of her father's choice, John (voiced by Adam Kitchen), but during
their wedding party, she finally mustered up the courage to run away, skip
town in a rental car still wearing her wedding dress - and ultimately wake
up in the car's trunk, having been kidnapped by ... someone (Caspar
Phillipson) whose motives she can't even begin to guess. For one, despite
Manda's father being rich, he's not really interested in a ransom, and for
the other, he even leaves her her phone to call whoever she likes - except
for 911 of course. Thing is, he sees the whole kidnapping situation as a
game of cat-and-mouse, believing himself to have the other hand no matter
what. But Manda is as resilient as she's resourceful, and despite being
caught in the trunk can find out pretty much everything about her
kidnapper. One might even go so far as saying she's slowly winning the
upper hand - but then her dad gets involved and things get messy ... The
Girl in the Trunk is pretty much a masterclass of economic filmmaking:
Mostly the film is actually reduced to the titular girl in the titular
trunk, there's little in other sets or locations than that, and even in
the trunk the girl's movements are drastically reduced due to lack of
space - and yet the film never gets boring. That's for one of course due
to imaginative camerawork that uses every trick in the book to keep things
visually stimulating while creating just the right feel of claustrophobia
the story demands. But even more than that it's down to an extremely
engaging script that revolves around interesting and fleshed out
characters in a situation that oozes suspense, all wrapped up in sharp,
often biting dialogue that keeps one on the edge of one's seat throughout.
And of course, a powerful performance by Katharina Sporrer, who pretty
much has to carry the film on her own, only helps to make this great
thriller entertainment.
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
Tales to Chill Your Bones to is all of that.
Tales to Chill Your Bones to -
a collection of short stories and mini-plays ranging from the horrific to the darkly humourous,
from the post-apocalyptic to the weirdly romantic,
tales that will give you a chill and maybe a chuckle,
all thought up by the twisted mind of screenwriter and film reviewer Michael Haberfelner.
Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
Out now from Amazon!!! |
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