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Carne per Frankenstein

Flesh for Frankenstein
Il Mostro è in Tavola Barone Frankenstein / Andy Warhol's Frankenstein / The Devil and Dr. Frankenstein

Italy/France 1973
produced by
Carlo Ponti, Andrew Braunsberg, Jean Pierre Rassam, Andy Warhol for Compagnia Cinematografica Champion
directed by Paul Morrissey
starring Joe Dallesandro, Udo Kier, Monique van Vooren, Arno Juerging, Dalila Di Lazzaro, Srdjan Zelenovic, Nicoletta Elmi, Marco Liofredi, Liu Bosisio, Fiorella Masselli, Cristina Gaioni, Rosita Torosh, Carla Mancini, Imelde Marani, Miomir Aleksic
written by Paul Morrissey, based on characters created by Mary W. Shelley, music by Claudio Gizzi, special effects by Carlo Rambaldi, second unit director: Anthony M. Dawson (= Antonio Margheriti), editing by Jed Johnson, Franca Silvi


review by
Mike Haberfelner

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Brother-and-sister/husband-and-wife Frankenstein (Udo Kier, Monique van Vooren) are a truly decadent couple: The Baron spends most of his time in his lab, trying to create two humans based on some crude racial theories as the first of a new master race while Mrs Frankenstein spends her time fucking around, caring neither about her husband's work nor about their children Erich (Marco Liofredi) and Monica (Nicoletta Elmi). And to satisfy her sexual needs, she employs promiscuous farmer Nicholas (Joe Dallesandro) as her butler - even if she neither likes nor fully understands Nicholas' socialist ideas.

Meanwhile the Baron has decapitated Nicholas' best friend Sacha (Sdrjan Zelenovic) to use the head for his male creature, as he thinks Sacha to be a regular stud - he isn't, the Baron has mistaken him for Nicholas - and the perfect mate for his female creature (Dalila Di Lazzaro).

Inevitably, Nicholas at some point recognizes the creature's head as that of his decapitated friends, and when Mrs Frankenstein shows not even the slightest interest in helping him get to the bottom of it all, he turns to the children for help, who seem to know every secret passageway and hiding place in the castle - still, soon enough, he is found out trying to sabotage the Baron's work and neatly tied up, while Mrs Frankenstein, having gotten bored of Nicholas anyways, demands the monster to have asexual session with her - to which the Baron gladly agrees, since it was thanks to her that Nicholas was fond out in the first place.

However, from here on everything gets out of hand: the male creature kills Mrs Frankenstein duriong sex, Frankenstein's assistant Otto (Arno Juerging) accidently kills the female creature while having sex with her, Frankenstein kills Otto, the (male) creature kills Frankenstein, and then kills himself.

Eventually, Nicholas, all tied up, is left the last man standing, except for the kids, but they show little interest in freeing him and prefer to continue the perverse ways of their parents.


Quite a departure from the previous films Paul Morrissey made for Andy Warhol (most prominently Trash, Flesh and Heat), Flesh for Frankenstein, though much more controlled in direction, still shares an anachic vein as well as sexual openness with these movies, which clearly identify the film as the work of auteur Paul Morrissey (and not of second unit director Antonio Margheriti, as genre fans never tire to claim).

Above all, Flesh for Frankenstein is a gorey and macabre genre comedy with a political subtext, but also with a few scenes that, though tongue-in-cheek, set new standards in the blood-and-guts department and are definitely not for the faint-hearted.

Still, if you can accept the gore and some wild political ideas, you will find a quite amusing and unusual genre comedy. Recommended.


review © by Mike Haberfelner


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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.


There's No Such Thing as Zombies
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry


directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke


now streaming at


Amazon UK





Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from