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Auf der Alm, da gibt's koa Sünd'

Bottoms Up
There's No Sin in the Alpine Pastures / Bouncing Boobs

West Germany 1974
produced by
Günther Eulau for Lisa Film
directed by Franz Josef Gottlieb
starring Alena Penz, Alexander Grill, Rinaldo Talamonti, Alexander Miller, Eva Garden, Sissy Löwinger, Gerd Eichen, Erhard Bimbo Weller, Jürgen Schilling, Walter Feuchtenberg, Joanna Jung, Elisabeth Felchner, Hans Terofal, Ulrich Beiger
written by Hubert Frank, music by Gerhard Heinz

review by
Mike Haberfelner

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Professor Solo (Walter Feuchtenberg) has invented a formula for creating gasoline out of manure - and suddenly he finds himself in the Austrian Alps on the run from a couple of agents (Alena Penz, Alexander Miller) who want to steal his formula. For that not to happen, he hides the microfilm containing the formula with gas station owner Sandler (Alexander Grill), who soon enough figures he could make a fortune out of the new manure gasoline and thus gets together with his friends to plan mass production ... thing is, they are all not especially clever. In the meantime, the two agents are of course after the microfilm but all they know is it is hidden in some lederhosen - which there are plenty of in the Austrian alps, and looking for the right lederhosen of course leads to all kinds of dirty jokes.

There is a second story intertwined with this one concerning Sandler's niece Claudia (Eva Garden), who's madly in love with Lois (Jürgen Schilling), but somehow they all fail to get together. And then Claudia is kidnapped by the agents, and a rescue attempt by Lois curiously leads to Claudia having sex with the male part of the agent-duo, Lois with the female part. This doesn't help their relationship of course, but it leads to the arrest of the two agents. They manage to break free though when Lois, who is to guard them, has make-up sex with Claudia.

Finally, during an attempt to create the manure gas, Sandler accidently destroys the microfilm. They still have the prototype gas though, but this is stolen by the agents - and it blows up when the agents try to get away with it, leaving the car totaled and the agents textileless but weirdly unscathed ... which inspires them to have sex on the spot.

In an unrelated story, a short Italian (Rinaldo Talamonti) is looking for a potential wife for his giant friend (Erhard Bimbo Weller), which leads to all kinds of sexual situations.


Basically, this is your typical German early-to-mid sex comedy: It's a mix of silly and pretty childish jokes, lazily executed slapstick scenes, lame excuses to get women out of their clothes, and almost innocent softcore sexscenes. Stylistically, the film is reminiscent of the heimatfilm-genre (for some reason a very popular backdrop in German sex comedies) with a dash of European espionage films.

Having said all of that, this is probably one of the more amusing German sex heimatfilms (which isn't saying much), probably because it has an actual (if silly) plot, and at least Alena Penz manages to carry her part - and she looks great in the nude as well as several latex outfits she gets to wear.


review © by Mike Haberfelner


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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.


There's No Such Thing as Zombies
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry


directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke


now streaming at


Amazon UK





Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from