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Purple Playhouse - Dracula
episode 1.5
Canada 1973
produced by CBC
directed by Jack Nixon-Browne
starring Norman Welsh, Blair Brown, Charlotte Hunt, Dan MacDonald, Nehemiah Persoff, Steven Sutherland, Peter Hughes, Robert Joy, Marie Romain Aloma, Marcella Saint-Amant, Maud Whitmore, Ita Darcy & Robertson Davies as host
screenplay by Rod Coneybeare, based on the novel by Bram Stoker
TV series Purple Playhouse, Dracula, Van Helsing
review by Mike Haberfelner
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Jonathan Harker (Dan MacDonald) has traveled to Transylvania to sell
Carfax Abbey to the mysterious Count Dracula (Norman Welsh) - and he
notices only much too late that the count has ulterior motives and ends up
a prisoner in the count's Transylvanian castle while the count travels to
the England. Back in the UK, lovely Lucy is suffering from some
mysterious illness. Her husband Jack Seward (Steven Sutherland), though a
doctor himself, knows no cure, so he calls on his mentor Van Helsing
(Nehemiah Persoff), who of course is quick to notice all signs of
vampirism, but he has come too late to prevent her death. Not much after
that episode, a physically drained Jonathan Harker stumbles into the
house, and initially, Van Helsing thinks he's the vampire, but from him
learns the story about Dracula's coming to England. Mina, Harker's fiancee
and the late Lucy's best friend, soon shows the same symptoms as Lucy. So
Van Helsing makes up a plan, to concecrate all the coffins he has brought
with hosts, this way cornering him and then stake him. And after Dracula
is allowed to give a compassionate speech, it's Lucy who drives the stake
through his heart. This is the story of Dracula simmered down
to less than 60 minutes, so of course some considerable omissions have
been made and everything has been streamlined. Also, it was made on a tiny
budget that didn't allow for any exterior shooting or fancy sets. The main
let-down of this version of the book though is that it's incredibly stagey
- and thus comes across as static, un-cinematic, and also very hammy. That
and some scenes are more reminiscent of silent cinema than anything that
has happened since, due to a total lack of interest in proper camerawork
or the like. Of course, this version does have some obscurity value to it,
but in all it's a bit of a letdown, unfortunately.
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