
Hot Picks 
- 7x7 2023
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The Outwaters
USA 2022
produced by Robbie Banfitch, Beau J. Genot, Robert Abramoff (executive) for 5100 Films, Fathom Film Company
directed by Robbie Banfitch
starring Robbie Banfitch, Angela Basolis, Scott Schamell, Michelle May, Leslie Ann Banfitch, Aro Caitlin, Christine Brown (voice), Nancy Bujnowski (voice), Agnieszka Cieslak, Scott Oakdale, Melissa Andrea
written, special effects and sound design by Robbie Banfitch
review by Mike Haberfelner
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Singer Michelle (Michelle May), her right hand woman Ange (Angela
Basolis) and their best friends, filmmaker brothers Robbie (Robbie
Banfitch) and Scott (Scott Schamell) embark on a trip to the Mojave Desert
to shoot a music video for Michelle. Now camping quite a stretch away from
civilisation, it soon turns out that they're not all well-equipped for
desert life. Soon though they experience things that can't just be
explained away by not being accustomed to the desert, like the ground
constantly vibrating, freak thunder without lightning and sounds coming
from inside the earth. And then one night they're attacked by ...
something, and it looks only Robbie gets away, all bloodied up - but where
has Robbie gotten away to, as he seems to be sucked into a vortex where
past, present and future all exist at once, where he re- meets his friends
thought dead, and even himself. Now one couldn't blame him at all for
going insane after the horrifying experience - but he records it all on
his camera ... Now the finale of this movie is nothing short of
creepy as heck, as it manages to totally disorient the viewer, leaves many
things unexplained while still making sure they hit hard, and packing it
all into a wonderfully effective and atmospheric yet totally unusual
cinematic language. It's bad then that the film as a whole does not live
up to this - and the main reason for this being it's shot found footage
style. And exactly this technique causes the exposition for this movie
going on way too long while being hardly any more interesting than a
amateur vacation movie (the landscapes though are pretty impressive), with
a lack of proper editing slowing down narrative build-up considerably. And
while much time is wasted with introducing us to the main characters,
little time is spent on actual character-building. And this goes to the
point that in act two, when creepy things start to happen, everything's
just swallowed up by random and shaky camerawork. That said, the
aforementioned finale makes up for much of this, it's really that good,
it's just a shame that this film could have been a much better film
overall would one not have gone the found footage route.
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