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Noxturne
USA 2026
produced by Kristina Klebe, Byron Clohessy, Assal Ghawami, Mike Nichols for Wolf Kitten Pictures, Expat Films, JARS Productions
directed by Kristina Klebe
starring Kristina Klebe, Byron Clohessy, Siobhan Fallon Hogan, Robert Clohessy, Kim Director, Teresa Avia Lim, Irmingard Klebe, Chuck McMahon, Alex Morris, Sylvie Morris, Laila Robins, Jeffery Passero
written by Kristina Klebe, music by Holly Amber Church
review by Mike Haberfelner
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Mia Nox (Kristina Klebe) is a classical pianist at the height of her fame
and bound to play at Carnegie Hall in only a few months time. Her younger
boyfriend Roman (Byron Clohessy), a jazz giutarist, seems to go nowhere
and spends his most time drinking and sleeping on her couch during the
days. Then though Mia has a horsriding accident that paralyzes her from
the waist down, and now she's reliant on Roman nursing her - and he does a
good job, too. Now phyxically, she should be perfectly able to get back to
100% mobility, but there is a mental block that won't let her despite her
honest attempts - which is doubly annoying as without the use of her legs
she can't handle the pedals of her piano and thus is unfit to play
Carnegie Hall. In the meantime though, Roman's career takes off, which he
tries to hide from Ma as he tries to protect her feelings. However, once
she finds out, including that he got her date at Carnegie Hall, it makes
her all the more mad, to a point where she starts to show signs of
jealousy that are at least in part unfounded (this is actually left open
in the film. Thing is, Mia also starts to have visions that stem from
nightmare territory - and thus it's hardly surprising that despite her
condition she gradually becomes a threat to herself and others ... Nox
is quite unusual film as it refuses to be fitted in a single category.
Sure, on the surface it's a drama about a suffering woman and her fight
back to both physical and mental health - pretty much a genre trope. But
the longer the story goes on, the more it's infused of elements of horror,
thriller, fantasy and even surrealism, to the point where the film
questions its own reality - and has the audience question it, too. And a
very stylish directorial effort surely helps with this, too, but what
really makes the movie is Kristina Klebe's bold central performance, and
she's surrounded by an able cast for sure. In all then a pretty unique and
very worthwhile movie. |
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review © by Mike Haberfelner
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Robots and rats,
demons and potholes, cuddly toys and shopping mall Santas,
love and death and everything in between,
Tales to Chill Your Bones to is all of that.
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a collection of short stories and mini-plays ranging from the horrific to the darkly humourous,
from the post-apocalyptic to the weirdly romantic,
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all thought up by the twisted mind of screenwriter and film reviewer Michael Haberfelner.
Tales to Chill Your Bones to
the new anthology by Michael Haberfelner
Out now from Amazon!!! |
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