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The Killers Next Door
Respite Road
USA 2021
produced by Mark Fogarty, Mark M. Greene, Michael A. LoCicero, Nick Mazonowicz (executive), Jan LoCicero (executive) for JL Pictures
directed by Michael A. LoCicero
starring David Pridemore, Rosanna Jimenez, Michael A. LoCicero, Sean Carmichael, Richard Donelly, Scout Lyons, Ariana Ruckle, Rich Tretheway, James Malcolm, Brinton MacFarland, Rosanna Jimenez, Alex Uriati
written by Michael A. LoCicero, music by Alex Uriati
review by Mike Haberfelner
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After his last stint in prison, Ryan (Michael A. LoCicero) has sworn to
himself to stay on the straight and narrow, get a decent job and start all
over again. Sure, he's not the most virtuous man and has a bit of a
drinking problem, but he figures himself a decent enough guy to be able to
tell right from wrong and act upon it. But then, in the middle of nowhere,
USA, he runs into his foster brother Bobby (David Pridemore), who
innocently offers him a ride without telling him the car is stolen, then
robs a gas station, and ultimately even kills the family (Ariana Ruckle,
Rich Trethgeway, James Malcolm) who Ryan has hoped on giving him a decent
enough job - and through all of this, Ryan can't help but being an
accessory to the crime, also but not only because he feels a special bond
with Bobby. When Sean (Sean Carmichael) and Ro (Rosanna Jimenez), a young
couple on a vacation, run into Bobby and Ryan, they at first get a very
favourable impression of them though, they help them not get cheated at
the gas station, push their car when it gets stuck, and help them find
their dog when she gets lost. Sure, Ryan might be a bit imposing and
socially awkward, and Bobby might run his mouth a bit too much, but
nobody's perfect. It's just when the two turn up around Sean and Ro time
and again and start to crowd them that things get a little uncomfortable -
and then Bobby once again blows his top, and dangerously so ... Now
the premise of this movie might not exactly spell re-invention of the
wheel, but based on this it's a really well-crafted thriller, with all the
suspense and shocks in all the right places, which is done in front of an
impressive landscape that's well-employed, and the performances are all
pretty solid. Where the film really succeeds though is giving (for a
change) its villains depth, fuelled by a thought through backstory as well
as differentiated character profiles, this way creating a certain grey
area that really gives this movie its character and makes it a pretty cool
and rather unusual genre ride.
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