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Back to the Beach
Malibu Beach Girls
USA 1987
produced by Frank Mancuso jr, Frankie Avalon (executive), Annette Funicello (executive) for Paramount
directed by Lyndall Hobbs
starring Frankie Avalon, Annette Funicello, Lori Loughlin, Tommy Hinkley, Demian Slade, Connie Stevens, Joe Holland, John Calvin, David Bowe, Laura Lanoil, Linda Carol, Marjorie Gross, Hartley Silver, Alan Barry, Thomas David Parker, Todd Bryant, Floyd Foster jr, Emil McKown, Jon Paul Jones, Eddie Vail, Drew Steele, Lola Rose Thompson, Honey Lea, Nicholas Hales, Rodney Bingenheimer, Dick Dale, Stevie Ray Vaughan, Angelo Moore, Kendall Jones, Norwood Fisher, Walter A. Kibby II, Christopher Dowd, Phillip Fisher, Steve Aschoff, Gary Usher jr, Ron Eglit, Tony Avalon, Frank Burt Avalon, Rick Avery, Robert Keller, Pat Banta, Bruce C. Magee, Geoff Brewer, Dwayne McGee, Jamie R. Brisick, A.J. Nay, Bob Brown, Mark Orrison, Cooper Hamilton Bailey, Noon Orsatti, Jay C. Currin, Víctor Quintero, Greg Gault, Charlie Skeen, Randell Dennis Widner, Don Adams, Barbara Billingsley, Edd Byrnes, Bob Denver, Tony Dow, Alan Hale jr, Jerry Mathers, Paul Reubens (as Pee-Wee Herman), O.J. Simpson
story by James Komack, Bill Norton, Bruce Kirschbaum, screenplay by Peter Krikes, Steve Meerson, Chris Thompson, characters created by Lou Rusoff, music by Steve Dorff
Frankie & Annette Beach Party movies, Pee-Wee Herman, Gilligan's Island
review by Mike Haberfelner
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More than 20 years after their days on the beach (and the movie How
to Stuff a Wild Bikini), Annette (Annette Funicello) and the
former Big Kahuna (Frankie Avalon) - they couldn't use the names DeeDee
and Frankie for legal reasons) - have noved to Ohio become a perfectly
boring couple, he's a used car salesman, she's an always cheery housewife
from the 1950s - much to the dismay of their
too-young-to-be-rebellious-but-still-trying son Bobby (Demian Slade). But
on their trip to Hawaii, they decide to make a stop in California to visit
their daughter Sandi (Lori Loughlin) - who just happens to live in a beach
house on their old beach. Sandi of course has been living there for half a
year with her boyfriend Michael (Tommy Hinkley), but Kahuna isn't to know,
so she tries her best to hide him, but somehow Kahuna gets wind of it
anyways. And that only makes him more furious, as he didn't want to come
to the beach in the first place, ever since a superwave caught him surfing
and sent him into a coma back when. However, this night at the beach bar
he meets his old flame Connie (Connie Stevens), who still adores him, and
now he wants to stay, she wants to go, and ultimately they have a fight
and temporary split. Likewise, Sandi splits with Michael, who later turns
out to be Connie's son, and as fate has it, now Kahuna and Michael team up
to re-conquer their respective girls by throwing a big beach party - and
in a round-about way it works, even if Kahuna almost blows it. Then Zed
(Joe Holland) and his crew of punks arrive and claim the beach, and it's
decided that ownership of the beach should be decided in a surf-off, Zed
against Michael, best of the resident surfers. But Kahuna breaks Michael's
foot in an accident, and apparently there's no other decent surfer around,
so Kahuna accepts the challenge himself, even if he hasn't been on a
surfboard in some 20 years. Now Zed does a decent job while Kahuna has
problems to find his footing on the board - when he's suddenly confronted
by a superwave like the one all that time ago. Only this time he masters
it and can now claim supremacy on the beach. Now the idea of
bringing the Beach Party series back but this time seen from
another perspective is a valiant one, and at least some of the guest stars
from yesteryear are spirited choices, including former sex kitten Connie
Stevens (even if she has never been in a Beach Party movie
herself), an under-used Edd Byrnes from 77 Sunset Strip,
surf guitar legend Dick Dale guitaring it out with Stevie Ray Vaughan, and
Bob Denver and Alan Hale jr cracking a Gilligan's Island
joke. However, as a whole, this movie comes across as rather uninspired as
it seems clearly undecided whether to go for the naive charm of the
original series or put a modern or even post-modern spin to it - which is
also mirrored in the very random mix of musical numbers. Also, while the
films of old certainly weren't comedy gold, the humour in this one feels
very forced. And from a narrative point of view, the film really seems to
lose its plot as for the longest time it's just about Frankie and Annette
having to find to one another again, after which the surf-off just seems
tagged on. Oh, and regarding the surf-off - the back projections here are
even worse than in the 1960s, taking all of the tension out of Frankie's
death-defying riding the wave. In all, it's some fun at least, but taken
as a whole a failed attempt.
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