An Interview with Jason Mills, Director of World War Bigfoot

by Mike Haberfelner

July 2026

Films directed by Jason Mills on (re)Search my Trash

Your new movie World War Bigfoot - in a few words, what's it about?

World War Bigfoot is an action packed creature feature that throws the legendary Bigfoot into the middle of a wartime conflict. It's a blend of action, suspense, and adventure that takes the Bigfoot legend somewhere audiences haven't seen before.

With World War Bigfoot being a sort of creature feature, is that a genre at all dear to you, and some of your genre favourites? And what do you think makes your film stick out of the crowd?

I've always loved creature features. There's something exciting about taking a legendary creature and asking "What if?" Growing up, I enjoyed films that combined suspense, adventure and memorable creatures. What makes World War Bigfoot stand out is that we don't just put Bigfoot in the woods and wait for people to stumble across him. We place him in a much larger conflict, blending creature feature elements with the intensity of a war movie.

What I think makes World War Bigfoot so interesting is that it freely blends creature feature and war movie elements rather seamlessly - so what inspired that rather unique mix?

I wanted to challenge myself by taking Bigfoot out of the traditional setting and placing him in a scenario that would create higher stakes and more action. The idea of combining wartime storytelling with mythology felt fresh and exciting. Both genres naturally create tension, so bringing them together felt like a perfect fit.

(Other) sources of inspiration when writing World War Bigfoot?

I'm always inspired by legends, classic monster movies, and stories about survival and perseverance. I wanted World War Bigfoot to feel like a fun adventure while still respecting the mystery that has kept people fascinated by Bigfoot for generations.

World War Bigfoot isn't your first Bigfoot movie by a longshot - so what draws you back to the creature time and again, and are your Bigfoot movies interconnected in any way?

My first Bigfoot film was Bigfoot Country, and ever since then I've enjoyed exploring different interpretations of the legend. Bigfoot is one of those rare creatures that still sparks curiosity and debate. Every time I return to the subject, I find a new angle to explore. While the films aren't directly connected story wise, they share a passion for adventure and independent filmmaking.

Back to World War Bigfoot: What can you tell us about your directorial approach to your story at hand?

I wanted the film to feel ambitious while staying grounded in its characters. No matter how big the creature or action gets, audiences need people they can connect with. My goal was to balance spectacle, suspense, and fun while making the world feel believable.

Do talk about your cast, and why exactly these people?

We were fortunate to have a cast that was completely invested in the project. All of the cast brought tremendous energy and commitment to their roles. Independent filmmaking depends on people who genuinely care about the story they're helping tell, and this cast gave everything they had. Their enthusiasm made every day on set enjoyable.

You of course also have to talk about World War Bigfoot's Bigfoot suit, and to what extent were you involved in its creation?

As with any Bigfoot movie, the creature design is incredibly important. I was involved throughout the process because I wanted our Bigfoot to feel powerful and believable on screen. Practical effects are something I really appreciate, and having a physical creature that actors can react to adds a level of realism that's hard to replicate.

So where was World War Bigfoot actually filmed, and what was it like filming there?

The film was shot in beautiful British Columbia, Canada. The locations provided exactly the kind of atmosphere we were looking for and helped bring the world of the film to life.

A few words about the shoot as such, and the on-set atmosphere?

The shoot was an absolute blast. Everyone involved was passionate about the project, and that energy carried through every day of production. Independent filmmaking gives the opportunity for creativity and flexibility, and we had a dedicated group of actors and crewmembers who were excited to be there and willing to go the extra mile. That's what made the experience so memorable.

Anything you can tell us about audience and critical reception of World War Bigfoot?

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Any future projects you'd like to share?

Absolutely. I'm currently working on The Stalkers of Blackwood, which stars Gavin Marck, who audiences will recognize from World War Bigfoot. I'm also excited because the film features my son Owen in his first major starring role. It's been a fantastic experience watching him step into acting, and I'm looking forward to audiences seeing what we've been working on.

Thanks for the interview!

© by Mike Haberfelner

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