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Jazz musician Tom (Richard Carlson) is to marry the love of his life
Meg (Lugene Sanders) on an island paradise - when an old flame of his, Vi
(Juli Reding), shows up, and she tries to blackmail Tom into ditching Meg
and marrying her instead, and has the means to do so. However, she does so
on top of a dilapitated lighthouse, leans against the railing, the railing
breaks and she falls to her death. Tom didn't push her mind you, but he
could have saved her. However, with her out of the way, with nobody
knowing she has actually come to the island, and with the body never
turning up, things couldn't have turned out much better for him after all.
Thing is, even if he didn't actively murder her, Tom's soon overcome by
guilt, and that causes him to see her everywhere, or hear her everywhere,
so much so that he starts to believe in ghosts. Meg is much too involved
with her wedding preparations to attribute Tom's strange behaviour to
anything but cold feet, but others, like Meg's younger sister Sandy (Susan
Gordon) and her blind housekeeper Mrs. Ellis (Lillian Adams) are more
sensitive to his weird mood changes. And then young Nick (Joe Turkel)
shows up who has secretly shipped Vi to the island but is still owed his
fare. But when he learns Tom is to marry another woman he's quick to
figure Tom's the perfect blackmail victim ... Now even if he
has made all sorts of movies, Bert I. Gordon is best known to horror and
science fiction fans for his giant
monster films like The
Amazing Colossal Man, The Spider,
Village of the Giants
and Empire of the Ants,
to name but a few, while this little horror gem is rather
under-appreciated by and large - which is a pity, as other than his
creature features, this is a astoundingly atmospheric film (even if Gordon
paints in broad strokes at times) that doesn't try to overwhelm with
spectacle but follows the Hitchcock school of suspense and delves deep
into the psychology of its main character, while at the same time getting
the most out of its sparse locations. Now it might not be the most perfect
of films as Bert I. Gordon definitely wasn't the most subtle of directors,
but it's a really worthwhile piece of psychological horror nevertheless.
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