Two businessmen (Miguel Sandoval, Alex Cox) find themselves abandoned
in the dining room of the hotel they are staying at, and since they are
both hungry, they decide to join forces and go out for a bite of food in a
town, Liverpool, none of them is familiar with. But while they wander
about town, talking about everything - computers, the internet,
cellphones, pagers, credit cards - and nothing at the same time, they seem
to be unable to find even one spot that would serve them food (or at least
food both of them would appreciate). Plus, using public transport, they
more and more lose their way, and without knowing it, they suddenly find
themselves first in Rotterdam, then in Hong Kong and finally Tokyo - but
still they are trying to find their way on the Liverpool-map. Ultimately,
the two take a cab back to their hotel, but the cab leaves them stranded
out in the desert, where they meet a third businessmen (Robert Wisdom),
who got lost somewhere completely else while trying to buy a toy for his
little son. When talking, the three realize they are all carrying the word
King in their name, even if in different languages. Finally the three
businessmen reach a desert town where they are actually served some food
at Josefina#s (Isabel Ampudia) place - and where they also stuble upon a
little baby, and overcome by emotion, they give the little boy presents
... and for a moment there, they feel like the three kings giving presents
to baby Jesus. It is only then that they find their way again (or at least
think they do).
Very probably not Alex Cox' best movie - but also very probably his
most interesting, most unusual: In a way, Three Businessmen is a
film that simply defies description, it totally abandons really telling a
linear plot, and it's mainly a film about two guys talking without really
saying anything or without carrying a message - and somehow, Miguel
Sandoval and Alex Cox are quite amusing at that, they come across as
likeable flawed characters, even if we don't get as much as basic
information about their backgrounds and couldn't care less about their
conversations. Also, the fact that they are travelling half the globe
without even noticing it gives the film a surreal dimension, even though
Cox (as a director) avoids to present us with any surrealistic elements
apart from the basic storyline. And somehow, the film comes across as a
clever comedy, not one of the laughing-out-loud variety, but one that
keeps you amused throughout, and that you'll fondly remember even years
later. Worth a look at least.
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