Spektor Island, 1972: For unknown reasons, ten women from all walks of
life - a model (Leah Principe), an actress (Kerri Lynch), a folk singer
(Sophia Cacciola), a doctor (Susannah Plaster), a naive co-ed (Porcelain
Dalya), a medium (Karin Webb), a religious fanatic (Molly Carlisle), a
high society real-estate investor (Molly DeVon), a nerdy bookworm (Rachel
Leah Blumenthal) and a renegade (Jade Sylvan) are lured to the single
house on the island under false pretenses, and a storm makes sure they
have to stay the night at least - something neither of the ladies cares
too much about, as they seem to not be too fond of one another, and mostly
incompatible ... yet, the place has a wine cellar, so why not make the
best of it? The evening with copious amounts of wine goes reasonably
well until the model strips naked, insults each one involved personally
... and a short time later is found dead, wearing nothing but a pig mask.
Her drink was drugged, but the others don't know that - but they do know
there's some kind of fould play involved ... especially after the
"ghost" of the "Butcher" appears to them, which turns
out to be nothing but a film projection, and then the actress, who has
apparently collaborated with someone, tries to scare them with a butcher
mask, something that's cut short when the nerd, totally against character,
swiftly breaks her neck and kills her. Not the other women start to panic
a bit, quickly drug the nerd and lock her into the basement ... but that's
no guarantee whatsoever that there is not another one among them who's
after them, quite the contrary. And since all the ladies know very little
about one another, they all suspect one another - and the suspects only
grow fewer as our heroines start to drop like flies. So is one of the
ladies a serialkiller, or is the house haunted ... or is there something
much more sinister going on? Ten is a clever little
thriller of the old dark house variety that might introduce us to a rather
familiar set-up - but then develops the story into a totally unextpected
direction that will keep you guessing till the end. And a well-paced
directorial effort that keeps a good balance between narrative and
spectacle, with sexy and gory bits thrown in at the right times along with
a bit of irony, carries the plot quite beautifully. Now some might say
that the moive does feature about two busloads full of genre mainstays,
and I won't argue with that, but it's how these are put together that
makes Ten entertaining throughout!
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