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It starts with a bang: As Daly (Linda Blair) enters a building and is
halted by a security guard (Penn Jillette), she shoots him in the head
point blank - something she had no reason to do, as the man she's to
visit, diamond trader Luker (Leon Askin), is expecting her, believing her
to be a buyer. She though tells him she has been a slave in one of his
diamond mines deep in the South American jungle, and then relates the tale
of another woman, Maria (Cristina Lay), to him, of how she infiltrated the
camp while actually being in league with Laredo (Anthony Steffen) and his
gang of diamond thieves who posed as guards to rob the camp - but seeing
how the women who are doing the actual diamond mining are worked to the
bone, whipped senseless, tortured and raped, Laredo and his men organize a
prison revolt, a revolt that ends in a big shoot-out that ultimately only
Laredo, Maria, and Maria's cellmate Muriel (Ajita Wilson) survive.
Having related this story, Daly shoots Luker in cold blood.
Now this is a bit of a hodgepodge of a movie: Its framing
story with Linda Blair and Leon Askin makes little sense other than to add
some names to the video cover and thus blast saleability, but the story
their scenes frame are cobbled together from two sleazy women-in-prison
movies shot by Edoardo Mulargia in 1980 back-to-back with largely the same
cast, Orinoco: Prigioniere del
Sesso/Hotel Paradise
and Femmine Infernali/Escape from Hell - which of course
promises double the action and the sleaze, but also major continuity
errors. The result es expectedly not very good - but at least the films of
old are competently made and feature some great locations, and if you're
into jailhouse sleaze from back when, you'll probably enjoy this more than
you ought to, while all the inconsistencies and the complete lack of
subtlety in both the old and new material only adding to the film's charm.
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