Acrisio (Arturo Dominici), king of Argo, has cut off Seriphos access to
the sea, unless they pay very high taxes. Now attacking Argo is not an
option for the good people of Seriphos, because the way to Argo leads by a
swamp monster and the Medusa (not at all a sensual woman with snake hair
in this one but rather a tree-monster wich snakelike twigs and one single
glowing eye), who has (literally) petrified most of Seriphos' army
already. However, Acrisio offers a solution: He wants Andromeda (Anna
Ranalli), Princess of Seriphos, to marry his son Galenor (Leo Anchóriz) -
to ultimately rule over both cities. Her people in mind, Andromeda agrees
to meet with Galenor, and at first she isn't even totally opposed to him
... until he gets into a fight with Perseus (Richard Harrison), a nature
boy who couldn't care less about either Seriphos or Argo - but she's in
love with him, and he's very fond of her as well. She figures she might
kill two birds with one stone if she sets up a duel between Galenor and
Perseus, and the winner gets her as his bride. Of course, Perseus wins,
but he doesn't want her under these circumstances, is a bit repulsed even
by her scheming - but Galenor is not one to accept defeat that easily, so
he kidnaps Andromeda and wants to take her back to Argo ... with Perseus
in hot pursuit though, he somehow runs into the swamp monster, and Perseus
saves his life - then takes him back to Argo unharmed to try to broker a
peace. He almost succeeds, too, until it's found out he's the son of the
rightful ruler of Argo. He has to flee, and this time Argo's army is in
hot pursuit, and they soon put Seriphos under siege. But Perseus has a
plan: If he manages to kill the Medusa, all the petrified soldiers of
Seriphos will come back to life and ... well, the film ends happily of
course (for the good guys at least). By 1963, the peplum (the
Italian version of the sword and sandal movie, most of the time featuring
a bodybuilder) had pretty much run its course - and especially considering
most other productions from the late era of the peplum, Perseo
l'Invincibile is a pretty decent effort: It really makes the most of
its low budget, succeeds in making the crowd scenes look larger than they
actually were, features decent locations, the swamp monster is very well
executed, and the treelike Medusa shows a spark of inventiveness. Sure,
the film's by no means a genre masterpiece, the plot is much too flat and
too riddled with plotholes (like: why is the way to Argo and back
sometimes a stroll in the woods, sometimes a life-threatening journey from
one monster to the next), the action scenes could have been executed
better, and everything has a been-there-done-that feel to it. And that
said ... there are quite simply way worse peplums out there, so you might
find yourself enjoying this one all the same.
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