Pedro (Roberto Sosa) has just finished police school and is given an
assignement as highway patrolman on some stretch of the highway near
Mexico's border to the USA, where there are smugglers and drugrunners
aplenty - but Pedro is kind at heart, so usually he lets minor
misdemeanours go unpunished, and he even marries Griselda (Zaide
Silvia Gutiérrez), a woman he stopped due to a traffic
violation. ... and eventually, Pedro, who scarcely makes enough money to
support his family, starts taking bribes - and with more money than is
good for him, he meets and falls in love with prostitute Maribel (Vanessa
Bauche). In a drugbust though, his leg is injured - after which he is
shocked to find out that Maribel is actually hooked on drugs ... even if
he himself is taking painkillers aplenty and thinks nothing of it. When
drugrunners kill his best friend Anibal (Bruno Bichir) though, with him
only arriving minutes too late to save him, Pedro decides to wage a
one-man war against the drugrunners, and he decides to give Maribel a new,
better life ... even kif that means he in the process becomes her pusher. The
showdown out in the desert sees Pedro outnumbered and outgunned by the
drugrunners, who even blow up his car, but they are not really interested
in a shootout and bet it by helicopter, and the only one Pedro can get his
hands on and is forced to kill in the process is Emilio (Towi Islas),
actually a friend of his who's on the wrong side of the law rather
coincidently. Pedro's killing of Emilio is celebrated at the police
station, even if he was a friend of his, and even though with Emilio's
death, it has become impossible to catch the masterminds of the
organisation. But when he despite of all this is also accused of having
stolen some drugs, he just quits the job, deeply disappointed, and works
on the farm of his wife, while at the same time still trying to see to it
that he can come up with enough money to support Maribel so she doesn't
have to work as a hooker no more. After being blacklisted in
Hollywood for making Walker, a
political farce criticizing the Nicaragua-policies of the Reagan-regime,
Cox had to go to Mexico to shoot his next film, El Patrullero - and
delivered yet another masterpiece. El Patrullero might be a quieter
and smaller film than his previous output, but it's as intelligent and as
entertaining, a film that blends comedy and drama, social satire and genre
mainstays (in its own quirky way), and that refuses to give simple answers
to the stories underlying questions on one hand, but not for a moment
becomes heavy-handed on the other, and it's a film that presents its
characters not as hero and villain, but as flawed persons, driven not
necessarily by their conscience but by circumstances - which makes them as
likeable as believable. Add to that a story that doesn't only focus on
action setpieces but also on small, only seemingly insignificant events,
superb camerawork and syampathetic direction - and you are left with one
great movie. Recommended.
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