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Tommy (Harold Lloyd jr) is a 17-year old racedriver who works part time at Miltie's
(George Cisar) garage to make a living. Since his driving is quite good though,
he soon gets offered a crooked job by crooked businessman Grimes - but of
course declines. Later, on w whim, he crosses the stateline to secretly marry
his long-term lover Helen (Jana Lund), though. First the 2 youngsters want to keep it a secret from their parents, but they
find out anyway & want to force the justice of peace (David Bond) to annul
the marriage, but they only get quite a speech from the man to look after their
children instead. So it is decided Helen & Tommy will live at Tommy's
working-class parents (Lincoln Demyan, Nita Loveless), but that ends in a
scandal when the kids get mixed up in a barroom brawl. So now Helen's
countryclub parents (Brian O'Hara, Trudy Marshall) take care of the kids, but
Tommy finds it hard to accept their strict rules of conduct, & the 2 decide
to move into a little house of their own - even if that means Tommy has to
shelve his plans to study to be a doctor & instead has to work fulltime at
the garage ... & the nightshifts, too.
But still, money is never enough, with Tommy & Helen soon behind with
the rent & payments for their furniture, & domestic problems arise as a
result. Of course, when under such circumstances Grimes reenters the scene
& offers Tommy big bucks for delivering a stolen car, Tommy gladly accepts
...
But even on his first ride - where he's even joined by Helen thanks to a
series of unfortunate circumstances - the police spots the stolen car &
gives a wild chase, that ends with Tommy & Helen's car going over a cliff
...
Miraculously the 2 youngsters survive, &, put to court, receive mercy
from a compassionate judge (Richard Davies) who sees the actual fault in their
parents, whom he gives a scolding before releasing the young couple into their
care.
Despite the involvement of Ed Wood - he was brought in as a script doctor
& (allegedly) wrote about the last quarter of the movie - don't expect
incredibly inane dialogue here or angora sweaters aplenty.
Still, iÍ want to judge this movie on its merits, not on what it doesn't
have (& never claimed to have in the first place):
This is one of the many teen-melodramas produced mainly in the 50's &
early 60's full of juvenile delinquency, teen marriages, dragster-racings &
people saying 'Daddy-O' & similar hep-talk, all filled up with conservative
morals & rather ridiculous plottwists ... in other words, great nostalgic
fun.
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