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Despite not being wanted there, halfbreed Keoma (Franco Nero) returns
to his hometown, and finds, having not yet even reached it, that it is
in dire need of some cleaning up, as he frees a pregnant woman (Olga
Karlatos) from a convoy supposed to bring her to a smallpox colony -
despite her not being infected (yet). In town he hears about Cauldwell
(Donald O'Brien), a crooked landowner who has taken control over the
city from Keoma's father Shannon (William Berger), has Keoma's
halfbrothers (Orso Maria Guerrini, Antonia Marsina, John
Loffredo) in his employ and prevents the town from getting proper
medicine. So, together with his friend, the former slave George (Woody
Strode) & the town's doctor (Leon Lenor), Keoma figures out a way to
get the population medicine anyhow, much to the dislike of Cauldwell,
who sends Keoma's brothers after him, &, when they fail in getting
him, fires them. He then goes after Keoma himself,
& in town he & his men face Keoma, his father & George,
& are vastly decimated, but manage to kill George & take Keoma's
father hostage. To save the old man from Cauldwell, Keoma gives himself
up - allt the more reason to shoot Keoma's father anyhow, tie
Keoma to a big wheel on the town square (making him look somewhat look
like a crucified Jesus) & torture him. Keoma's halfbrothers though
are reaqsonably upset about the shooting of their father, & in
retribution shoot Cauldwell to take over the city for themselves, &
they even manage to put all the blame for the chaos in the city on Keoma
- whom they leave in his crucified position. Only the pregnant woman
Keoma once saved seems willing to return the favour as she cuts him down
from teh wheel & escapes with him, but, as her giving birth is
iminent, the 2 have to stop at a nearby abandoned frarm, with Keoma's
brothers in hot pursuit. As she gives birth, her cries of pain accompany
the final shoot-out between Keoma & his halfbrothers, a shoot-out
only Keoma would survive, while the woman dies giving birth ...
Depite being made at (or past) the tail-end of the Spaghetti Western
boom, & telling the exact same story as so many other films before
it, Keoma is one of the best most interesting, seminal Westerns ever,
as it - despite great action direction - cares little about
genre-conventions, istead tells its story more along the lines of an
existentialist drama, with influences of Greek tragedy & grand
opera. The extremely dusty scenery of mainly half-ruins furthermore give
the movie an eerie end of the world feeling. One point of critique
though: The songs by Guido & Maurizio De Angelis, that actually work
as off-screen narration, could have been vastly improved, would the
singers actually have had a basic grasp of the English language they are
singing in, their strong Italian accents do affect the effectiveness of
the songs themselves. However, that does not spoil this great movie.
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