|
|
|
 |
|
 |
|
At the funeral of his sister Karen (Hana Ludvikova), Ben (Reb Brown)
meets Stefan (Christopher Lee), who tries to convince him and his
colleague and eventual lover Jenny (Annie McEnroe) that Karen was a
werewolf, and since the silver bullets that killed her were removed from
her body, she has to be stabbed with a titanium dagger to be properly
killed. And while Jenny's interest is at least somewhat aroused, Ben is
having none of it, not even when Stefan shows him a video of Karen
turning, and he tries to prevent Stefan's ritual stabbing of Karen that
night - to not only see her turned before his very eyes, but he, Stefan
and Jenny also see themselves attacked by a pack of werewolves at the
cemetary, an attack they can ward off though. Stefan tells Ben and Jenny
he's off to Transylvania to kill Stirba (Sybil Danning), the werewolf
queen, and naturally Ben and Jenny are quick to agree to tag along. But of
course, killing a werewolf queen sounds a lot easier than it turns out to
be, as once in Transylvania our heroes are separated, and Jenny's taken
captive, about to be turned - which means our heroes are short on time to
storm the werewolf castle while Stirba has an ever-growing army of minions
... Now Howling II: Stirba - Werewolf Bitch is
admittedly not a deserving sequel for Joe Dante's original The
Howling, as where the earlier film subverted genre expectations
this one really reverts to werewolf clichés and instead of following the
original film's mythology creates its own out of a myriad of almost
antiquated genre mainstays, including of course its Transylvania settings.
Plus it adds camp and sleaze to the formula, both of which the first film
successfully avoided, and the werewolf effects simply don't live up to the
original. That all said, Howling II: Stirba - Werewolf Bitch is
actually not as bad as many make it out to be, while surely it's not a
worthy sequel, it's a fun piece of trash that's put together very
competently, it's atmospheric with all the shocks in all the right places,
many effects as well as Sybil Danning's many outfits are wonderfully
80s-style, and the title tune that's played repeatedly throughout the
movie is actually a pretty catchy rock song that stays with one. So no, no
masterpiece at all, but pretty good, campy fun nevertheless.
|
|
|