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An isolated farm, somewhere in rural Canada: Siblings Caleb (Benjamin
Charles Watson), Abigail (Jenna Warren) and mute Evelyn (Yasmin MacKay)
have never left the perimeters of their parents' land and have thus never
known another life than that on the farm, so they're not at all bothered
by their father's (Nigel Bennett) reactionary religious beliefs and also
follow them, and it's normal for them that their mother (Toni Ellwand)
carries a gun with her all the time, also to keep them in line, and they
even take it as God given that their father drags their young brother
Elijah (Onyx Spark) away into the woods for who knows what punishment to
not be seen again after he has overstepped one too many lines with their
father. Caleb eventually becomes old enough to question things, initially
to Abigail's dismay - but then father brings home Mary (Keana Lyn) as
Caleb's bride-to-be, and Caleb, whose hormones the new arrival sends
racing, quickly falls in line again, which is even more to Abigail's
dismay. Caleb and Mary are quick to take a liking to one another, and
their wedding can't come soon enough - but performing the wedding, Caleb
claims he has received a message from their God, who has claimed Mary as
his own bride, and since Caleb is God's proxy on earth ... After this,
nothing is the same, Caleb grows more and more rebellious while Mary
realizes she has some (sexual) power over father to improve her sexual
position, the girls are just shocked by their father's obvious sexual
abuse, and mother is more than a bit jealous. Things come to a head when
Caleb openly confronts father and is only overpowered by mother's gun and
father threatening to drown Abigail in his stead. The boy's brutally
punished for his indiscretion, but the more brute force father uses on his
children, the more his power over them actually slips, and it's only a
matter of time before they begin to openly rebel ... A pretty
strong and disturbing piece of folk horror that really gets under one's
skin as while the cult (including its god) the family belongs to is
totally fictional, its brainwashing patterns and hierarchic powerplays,
including its psycho-sexual undercurrents, fell frightfully real. And a
very subtle direction that puts atmosphere over spectacle and makes the
best of its impressive backdrops, only helps to bring the plots creepiness
across, while a strong cast keeps things eerily relatable, all of which
makes this a film not easy to forget - in a good but haunting way.
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