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Jeff (Mike Mayhall) is a moderately successful playwright on the
lookout for an investor for his next play - so when frivulously rich
surgeon Carmine (Bill Sage) invites him and his lovely wife Haley (Alli
Hart) for dinner he sees his big break. Of course, the two didn't expect
that the dinner was apart from them only attended by Carmine's inner
circle - Vincent (Miles Doleac), Sadie (Lindsay Anne Williams), Sebastian
(Sawandi Wilson) and Agatha (Kamille McCuin) -, all eccentrics with
egotistical and childish streaks, and while Jeff tells Haley to keep her
mouth shut and let him do the talking he soon finds himself out of a
league with the group's discussions about opera, mostly, while Haley's
quicker to warm up to the conversation, as the group is quick to warm up
to her, and soon she starts to reveal stories about her traumatic
childhood, much to the dismay of Jeff, who feels above all sidetracked ...
and then he passes out and Carmine's friends are quick to slit his throat
and kill him while keeping Haley from interfering by tieing her up. Now
apparently Carmine and company are a group of Devil-worshipping cannibals
who enjoy immunity as they have paid off the law (as Haley has to notice
upon an escape attempt), and who take pleasure in mentally breaking Haley
in any way they can, which includes eating her husband before her very
eyes. But even if she might not look it, Haley's a fighter, and she still
has lots of spunk in her - but will spunk alone suffice to save her when
being outnumbered and tied up ...
The Dinner Party sure is a mean film - and I mean that
in the best possible way: It's not so much what's suggested and shown in
the film as such though (and there sure are more explicit/gross movies
about cannibalism but the slowburn build-up to it, with all the underlying
dread, that's really what makes the movie so unnerving. Plus, the very
"cultured" atmosphere stands in rather delicious contrast to the
horrors of the piece, with its menace masked in "classy"
dialogue - all of which makes the actual outbreak of all the horrors all
the more exquisite, and that said the rather unexpected (yet narratively
logical) third act of the piece sure packs a bunch. Now add to all of this
a pretty strong ensemble revolving around a compelling central performance
by Alli Hart, who manages to combine the necessary innocence with quite
some spunk rather beautifully, and you've got a pretty unusual but in a
good way very unnerving movie that sure deserves a watch.
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