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When he was a child, his dad (Niko Foster) let little Marcus (Caleb
Miller) accompany him to his secret lab where he conducted all sorts of
crazy experiments in the field of ESP - and he would never let Marcus know
that he was actually part of the experiments, being a very strong psychic. Now,
Marcus (as an adult played by Paul Flannery) is pretty much a nervous
wreck, suffering from a whole range of physical and psychological ailments
from nervous headaches to hallucinations - which is why he sees a
psychiatrist, Dr. Norton (Stephanie Lynn Styles), but there's really very
little she can do other than change his medication every few weeks with
the same poor results. Then though she suggests to Marcus to spend some
time at his parents' home in the country as she figures their
disappearance when he was a child might have triggered Marcus's current
state. Once at the house though, his ESP powers go into overdrive and
let him "find" all sorts of things - and with his findings,
Marcus is trying to piece together the truth about his childhood, and it's
not pretty, as it seems that his father's experiment led to him being a
potential gateway for a being from another world/dimension/the underworld,
and even if dad has eventually broken off the experiments, destroyed all
of his finding, and abandoned Marcus just to save him, Marcus's mere
presence at the house might trigger whatever it is to make an attempt to
enter our world through him. Marcus's girlfriend Sarah (Kendra Carelli)
stops by his house, and for a time that has a calming effect on Marcus -
until he grows more and more suspicious that something's not right with
her, that she's a hallucination, a demon, a whatever - and eventually he
stabs her. And this is where things really go weird - and dangerously so
... The Dark Within is not for those who like to be
spoonfed their horror, it's really a movie that twists and turns, shifts
its own reality (and laws of nature) ever so often, refuses to follow an
internal logic, and never sees the necessity to give explanations for its
on-screen goings-on - and all of this works totally for the movie rather
than against it, as it keeps the audience at the edges of their seats
throughout, keeps them guessing in a good way, and keeps them falling into
the film's world were nothing is certain. This is of course achieved by
clever writing and a direction that's really complimenting the script's
effort to often lead the audience on false clues and that's heavy on
atmosphere. And of course a solid cast doesn't hurt one bit either to make
thisa very enjoyable and rather unusual genre effort.
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