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Emma (Meredith Mohler) and Jackson (Lewis Hines) have always had a very
close relationship with their mother Tammy (Keni Bounds) - something that
has changed when she married Robbie (Jeff Buchwald), as he's a religious
zealot who sees sin everywhere but with himself and demands unconditional
obedience. Now Jackson tries to remain on good terms with Robbie at almost
any cost, but Emma has a rebellious streak to her that makes her clash
with her new "dad" almost constantly. Thing is, Emma and Jackson
are not especially unruly, but they're teenagers who've only recently
sexually awakened, and Emma has to find out she's pregnant - a baby she
doesn't want to keep - while Jackson is drawn to other men, and when
Robbie finds out he pretty much explodes. To protect her children, Tammy
takes them to Abraham House, she claims to keep them safe while she
prepares for a new life for them without Robbie ... but the place actually
turns out to be a re-education camp for wayward children to get them back
on track - which really also means "healing" them from
homosexuality. The place is run by Mary Esther (Jo-Ann Robinson), a
religious fanatic with little consideration for anyone's well-being above
what's right according to her re-interpretation of the bible, and her
nephew Hank (Chris Moore), a closet homosexual secretly in love with the
place's gardener (George Mayronne). For some reason, Jackson goes for the
indoctrination, even if that means to wipe out his sexual identity, but
Emma is looking for a way out, and she soon finds a willing accomplice in
Rebecca (Ana-Claire Henley), a girl in a similar situation as herself
who's as suspicious about the goings-on inside the house as she is - and
whose sister Megan's (Raith Stanley) locked up in the basement for
punishment. What neither of them, nor any of the other inmates, know is
that Mary Esther's actually a homicidal maniac who enjoys killing "in
the name of the Lord", and she has long done away with Megan - and
one after the other, she plans to eliminate the other inmates of the place
as well ...
A pretty disturbing piece of cult-themed horror that build up
its story from mere religious zealotry to relentless (and really God-less)
violence, with commendable narrative stringency on one side, and without
ever losing the plot's underlying tension on the other. On a directorial
level, the film might save up on spectacle until the finale, but manages
to emit a certain feel of unease throughout, while a relatabe cast manages
to keep things grounded enough to grant cool genre entertainment.
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