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A remote mansion overlooking a pittoresque lake: Wheelchair-bound
Countess Federica (Isa Miranda) is hanged in a manner that looks like
suicide - and by her own husband Filippo (Giovanni Nuvoletti), too. But
Filippo is killed right thereafter by a person unknown, and his body
thrown into the lake.
Several days later, four teens, Louise (Brigette Skay), Sylvie (Paola
Montenero), Luca (Guido Boccaccini), Roberto (Roberto Bonanni) break into
a nearby abandoned ressort for a night of partying and sex, but during a
spell of skinny-dipping, Louise happens upon the dead body of Filippo -
and she and her friends are brutally killed as a consequence by
whoever-it-is.
In the meantime, the parties who're craving for the inheritance of
Countess Federica get into position, there's her estranged daughter Renata
(Claudine Auger) and her husband Alberto (Luigi Pistilli), who arrive at
the lake in their mobile home, and there's real estate agent Ventura
(Chris Avram) and his secretary/lover Laura (Anna Maria Rosati), who
decide to take a stab of making the property their own, and it soon
becomes clear that they've all schemed in one way or another and might or
might not be involved in the murder of the Countess and Filippo. Other
players in the game are Simone (Claudio Camaso), a rough handyman who
seems to know more than he's willing to let on, entomologist Foscari
(Leopoldo Trieste), who seems entirely too innocent to not be guilty of
something, and his fortune teller wife Anna (Laura Betti), who clearly
knows too much - so soon, the mystery killer starts to make his/her way
through all involved, untangling a web of intrigue while creating nothing
but more confusion ...
Now stylistically, Bay of Blood is top notch - and it's
not that anybody would expect anything less from Mario Bava to begin with,
but this one looks excellent even by his standards, it's moody and
suspenseful throughout, the killings are inventive and brutal but also fun
(from a horror fan perspective of course), and while each frame seems to
be carefully composed, the film also has a very natural flow to it and
manages to remain entertaining throughout. And while this film is often
cited as a blueprint for the seminal summer camp slasher Friday
the 13th, the latter film falls several feet short when it comes
to directorial finesse. That said, one would be hard-pressed to call Bay
of Blood a perfect movie, quite simply because the screenplay is
completely muddled, over-convoluted and under-developed. In other words,
for a murder-mystery it's too hard to follow as many plot points are just
too far fetched and/or lack plausibility while the plot, when connecting
all the dots, makes little sense. That said, this is still an entertaining
watch - it just would have so deserved a better screenplay.
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