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The Woman in Black

UK 1989
produced by
Chris Burt, Ted Childs (executive) for Central Films, Capglobe
directed by Herbert Wise
starring Arthur Rawlins, Bernard Hepton, David Daker, Pauline Moran, David Ryall, Clare Holman, John Cater, John Franklyn-Robbins, Fiona Walker, William Simons, Robyn Weaver, Caroline John, Joseph Upton, Steven Mackintosh, Andy Nyman, Robert Hamilton, Trevor Cooper, Alison King, Peter Guiness, Timothy Block, Albie Woodington, Clare Thomson, David Keyes, Mary Lawlor
screenplay by Nigel Kneale, based on the novel by Susan Hill, music by Rachel Portman

review by
Mike Haberfelner

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Solicitor Arthur Kidd (Adrian Rawlins) is called to a now abandoned estate in the marshlands somewhere near a little coastal village, to sort out the affairs of its now deceased owner - and soon realizes he is not alone, as a woman in black (Pauline Moran) shows up tie and again, and she seems to be pure evil. Before long he comes to the conclusion that she is actually a ghost. Furthermore he hears weird sounds that seem to repeat the same scene over and over again: A coach losing its way and sinking into the marsh, and a kid dying in the process.

Eventualy, Kidd finds out a few things about the owner of the estate: Turns out she has once taken away her sister's kid and claimed it was her own because it was a bastard and that would have tarnished the family name, but the sister took the kid back but the coach got lost in the marsh and the kid has died, with the sister committing suicide not long afterwards.

It now seems that the sister is haunting Kidd, though no explanation is given as of why. Eventually though, he burns down the estate completely ... but somehow his client's paperwork makes it into his office in London. He burns all the papers right then and there ... and in the process is seen unfit for work and suspended from his job.

Taking a little trip in a rowboat, Kidd sees the woman in black once more, after which he and his family are killed by a falling treebranch.

 

First of all, I have to admit that I have never read Susan Hill's source novel this film is based on - but this film that has resulted from it is utter crap! Why?

Because it totally lacks narrative stringency. There is no reason given in the film why the woman in black haunts Arthur Kidd, nor what she wants from him. There is a mystery built up around the woman in black, but its resolution is not only utterly disappointing, it also totally fails to advance the film. And why does Kidd think burning the estate and the deceased woman's papers would help any against the ghost? Why is the ghost so hell-bent on killing him that it follows him half across the country? All questions that remain unanswered, and while it's true that a good ghost story doesn't have to make perfect sense, even needs to keep a residue of mystery until the very end, this movie is really overdoing it.

Rather a disappointment, actually.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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