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L'Amante del Vampiro

The Vampire and the Ballerina
The Vampire's Lover / Die Geliebte des Vampirs

Italy 1960
produced by
Bruno Bolognesi for Consorzio Italiano Film
directed by Renato Polselli
starring María Luisa Rolando, Hélène Rémy, Tina Gloriani, Walter Brandi, Isarco Ravaioli, Gino Turini (as John Turner), Pier Ugo Gragnani, Brigitte Castor, Lut Maryk, Ombretta Ostenda, Bava Sanni, Marisa Quattrini, Giorgio Braccesi, Titti Valeri, Stefania Sabatini, Franca Licastro
written by Ernesto Gastaldi, Giuseppe Pellegrini, Renato Polselli, music by Aldo Piga

review by
Mike Haberfelner

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Luca (Isarca Ravaioli) supervises a group of ballerinas rehearsing for a performance in a villa somewhere in the country, his girlfriend Francesca (Tina Gloriani) among them. Mysterious deaths involving sudden bloodloss have been reported in the nearby village, and somehow the girls get all intrigued by a local legend of vampires, though Luca assures them there's nothing to it, naturally. Then one day, Luca, Francesca and Francesca's best friend Luisa (Hélène Rémy) get caught in the rain, don't find their way back to the villa but end up at a seemingly abandoned castle - which is actually inhabited by the Contessa (María Luisa Rolando). Luisa gets separated from the others and is attacked and bitten by a vampire. She later returns to Luca and Francesca and claims it was nothing, but Francesca starts panicking. And she better be, because the Contessa's manservant Herman (Walter Brandi) is actually a vampire, and the Contessa feeds on the blood he takes to remain forever young. What's worse though, Luca is secretly the Contessa's lover, and has a general (but not detailed) glimpse of the situation.

Francesca tries to tell the others, but nobody is eager to believe her, and when she sees somebody - Herman, but she can't make him out for sure - entering Luisa's room, everybody thinks she's suffering from hysteria, which seems to be only reaffirmed when she's found scared shitless but unharmed in the castle the next day. Then though, both girls disappear, and Luca and the girls' pianist the professor (Pier Ugo Gragnani) decide to investigate she castle after all - and about time, too, as Herman has already chained up and bitten Luisa, and Francesca is driven to despair. Of course, good triumphs over evil in the end, and Herman gets staked, which is applauded by the Contessa even. But Herman takes her with him into the land of the dead, sucking her dry with his dying breath (assuming that's the right thing to say with vampires).

 

The Vampire and the Ballerina is by no stretch of the imagination a great film, it's actually a rather clichéed horror story relying more on genre mainstays and sexy girls than actual storytelling, plus the directorial effort is anything but inventive and the ensemble cast less than shining - but it's a fun old-fashioned vampire piece anyways, filmed in some lovely sets, the direction actually works in an old-fashioned way, and there is a certain elegance about this one. Still, probably not a movie you'll remember in a day or two, but at least nostalgic fun as long as it lasts.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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love and death and everything in between,
Tales to Chill
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Tales to Chill
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a collection of short stories and mini-plays
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Tales to Chill
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